Results 121 to 130 of about 995 (147)
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III Congreso Latinoamericano de la Asociacion Internacional para el Estudio de la Musica Popular (IASPM)

Latin American Music Review, 2001
Au cours du Troisieme Congres latino-americain de l'Association Internationale pour l'Etude de la Musique Populaire, qui s'est distingue par la preponderance accordee aux etudes musicales, par rapport aux sciences musicales, la reflexion s'est concentree sur l'etat actuel du champ de la musique populaire, dans ses divers aspects, au croisement de la ...
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IASPM UK Conference 1996: Popular Music: Aesthetics versus Sociology?

Popular Music, 1997
Let's face it: in many respects popular music studies still has a hard time combining sociological and musicological views about music, its meaning(s), its sociological implications, and so on. Dialogue is difficult: scholars working in the social sciences, while dealing primarily with the question of social identification with music, still try to ...
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Bill Drummond’s ‘The 17’ project at IASPM Glasgow: some feedback on the experience and what happened

Popular Music, 2009
Those of us who found we were sitting on or next to an empty cinema type numbered seat with black gaffer tape covering its number gathered at the front of the room and then, after a ten-minute break, entered into a windowless studio where two rows of seats were arranged in a semi-circle.
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Apolitical Blues: Report on the IASPM 12th Biennial Conference, McGill University, Montreal, 3–7 July 2003

Popular Music, 2004
IASPM conferences are always enjoyable. There is plenty of enthusiasm for music, as well as much skilful delineation of its form and cultural context. IASPM conferences also have a pretty flat structure and, although there is never enough, a relatively high degree of interaction between people from different countries, ethnicities, disciplines ...
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IASPM in conference

Popular Music, 1996
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