Results 81 to 90 of about 1,407 (137)

A dos décadas del primer encuentro con Philip Tagg en el contexto de IASPM-AL

Contrapulso - Revista latinoamericana de estudios en música popular
Conocí a Philip Tagg en 2004, en Río de Janeiro, con motivo del IV Congreso de la Rama Latinoamericana de la Asociación internacional para el estudio de la música popular (IASPM-AL), fundada y presidida entre 2000 y 2006 por el musicólogo chileno Dr. Juan Pablo González.
openaire   +1 more source

The power to shock: Perceptions of visual and textual horror in Rammstein's performance aesthetics

, 2017
The use of monumental imagery, period clothing, German Romantic texts and guttural chants, which include nasal gestic speaking, all combine to make up what I regard as the Rammstein "formula".
Burns, Robert GH
core   +1 more source

Prix Jeune Chercheur de l'International Association for the Study of Popular Music (IASPM) – branche francophone d’Europe

Calenda, 2019
Créé en 2010, le prix jeune chercheur de la branche francophone d’Europe de l’International Association for the Study of Popular Music (IASPM) distingue un article scientifique inédit, de type universitaire, rédigé en français et portant sur l’étude des musiques populaires.
openaire   +1 more source

REVIEW | Making Aboriginal Men and Music in Central Australia [PDF]

IASPM Journal, 2016
Ann Werner
doaj   +1 more source

Genetic architecture and prognostic significance of suspected fetal microcephaly: evidence from prenatal exome sequencing in a large prospective cohort. [PDF]

Hum Genomics
Fu F, Wei X, Chen C, Huang R, Tan X, Zhou H, Li R, Yu Q, Li F, Zhang Y, Li L, Jing X, Li D, Sun L, Liao C.   +14 more
europepmc   +1 more source

REVIEW | Popular Music Fandom: Identities, Roles and Practices [PDF]

IASPM Journal, 2016
Stephanie Fremaux
doaj   +1 more source

IASPM Roundtable: Popular Music Studies in Central, Eastern and South-Eastern Europe: Key Themes, Methodological Approaches, Institutional Problems and Good Practices

, 2023
The main purposes of the round table are twofold: 1. to address the theme of the conference – i.e. how popular music is intertwined with the constructions of regional identities and how this manifests itself in different regional contexts from which participants come from (Austria (alpine region, core EU country), Estonia (the Baltic context), Hungary (
openaire   +1 more source

Cultural Globalization and Music: African Artists in Transnational Networks [PDF]

IASPM Journal, 2013
Rachel Muehrer
doaj   +1 more source

REVIEW | The Production and Consumption of Music in the Digital Age [PDF]

IASPM Journal, 2016
Sean Albiez
doaj   +1 more source

The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror [PDF]

IASPM Journal, 2013
Bruce Johnson
doaj   +1 more source