Popular Music Studies in the Low Countries: Status Quo Vadis IASPM Benelux [PDF]
IASPM Journal, 2019 This article gives an insight into the past and current state of popular music studies and research in the Netherlands and Flanders as well as outlines some of its future challenges.
Melanie Schiller
doaj +9 more sources
Transformations of the National:Rammstein’s “Deutschland” as a Provocation of German History [PDF]
, 2022 This contribution examines the nexus between ‘the political’ and popular music from an interdisciplinary perspective. Using Rammstein’s highly provocative single “Deutschland” (2019) as an example, this case study showcases multiple different and often ...
Garrido, Lea Espinoza +8 more
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Mysterious Stories and the Pleasure of Cognitive Challenges - An Interview With dr. Steven Willemsen [PDF]
, 2022 Interview with dr.
Willemsen, Steven, Zienkiewicz, Joanna
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From Pussy Riot to Maria Peszek:The Re-Articulation of National and Gender Identities in 21st-Century Eastern European Protest Song [PDF]
, 2021 Employing multimodal textual analysis and online anthropology/discourse analysis, this article introduces the protest strategies and domestic receptions in the work of a popular Polish protest singer-songwriter Maria Peszek.
Zienkiewicz, Joanna
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Druckwellen: Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik [PDF]
, 2022 Von der Weltpolitik eines Trump, Orban und Erdogan über Popmusik von Rammstein und Frei.Wild bis hin zu Hate Speech in sozialen Medien - das Provozieren, das Brechen von Tabus, das Relativieren von bislang gültigen Werten sowie erhitzte öffentliche ...
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« Over and Over: Exploring repetition in popular music » [PDF]
, 2017 Le colloque de l’iaspm (branche francophone d’Europe en association avec la branche du Benelux) « Over and Over : Exploring repetition in popular music », organisé par Olivier Julien, Christophe Levaux, Kristin McGee, Christophe Pirenne, Hillegonda ...
Debelder, Joachim
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All together now:Live (streamed) music as collective practice [PDF]
, 2023 Live music can create a sonic bond between its participants. Under the right conditions, music can attune the movements of a crowd, transforming the individual experience of participants into that of a large-scale interaction ritual.
Vandenberg, Femke
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Nameless, but not blameless: Motherhood in Finnish heavy metal music [PDF]
, 2020 This article argues that, in some specific cases, Finnish heavy metal lyrics are horror texts, and that mothers in Finnish heavy metal lyrics are often relegated to tropes, like being ‘othered’.
Digioia, A
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Making a living in live music:Early-career musicians in the changing music industries [PDF]
, 2023 While the life of a pop musician may seem appealing, their careers are characterized by low odds of success and precarious working conditions. Moreover, over the last 20 years changes in the recorded and live music industries have created a drastically ...
Everts, Rick
core
Musical Topophilia: a critical analysis of contemporary music tourism [PDF]
, 2018 Music tourism is an increasingly popular practice. Why would people be interested in visiting places related to music? How can something abstract like music lead to tourism, and what makes this activity meaningful to those concerned? In this dissertation
Bolderman, Leonieke
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