Six Degrees of Bertrand Russell [PDF]
In lieu of an abstract, here is the chapter\u27s first paragraph: ONE OF THE MOST QUOTED PHRASES in current popular culture is six degrees of separation.
Madigan, Timothy
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Utopian clothing: the futurist and constructivist overalls in the early 1920s’ [PDF]
‘Can fashion start from zero?’ is a question that, as observed by theorists, historians and curators, ultimately haunts those radical sartorial projects embodying a ‘new’ vision of the world.
Loscialpo, Flavia
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In today's Russian mass consciousness, there is an attitude that contemporary art, primarily Western, embarked on the path of departure from canonical images and structures in relatively recent times – about a hundred years ago.
Alexander Kashchenko / Александр Викторович Кащенко +1 more
doaj +1 more source
Culture, heritage looting, and tourism: A text mining review approach. [PDF]
Loureiro SMC +4 more
europepmc +1 more source
Obraz vs ślad, czyli o nihilizmie, ikonoklazmie, ikonofilii i nie tylko
Review: Andrzej Zawadzki, Obraz i ślad [Image and Trace], Cracow: Wydawnictwo Uniwersytetu Jagiellońskiego, cop. 2014.
Maciej Michalski
doaj
Word and Mystery: The Acoustics of Cultural Transmission During the Protestant Reformation. [PDF]
Boren B.
europepmc +1 more source
Tomasik explores international reactions – mostly those in centres of Russian white émigrés – to the demolition of the Russian Orthodox Alexander Nevsky Cathedral in Warsaw’s Saxon Square (1920-1926).
Wojciech Tomasik
doaj
The aim of this article is to comprehend the significance of superimpositions as social practices and processes and to deconstruct how notions of superimpositions and vandalism have been used in rock art studies.
Motta Ana Paula, Hampson Jamie
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Developmental Psychology in cultural historical context - overview and further reflections. [PDF]
Koops W.
europepmc +1 more source
‘A dialogue about the art of portraiture’ Originally published as ‘Gespräch von der Bildniskunst’, Österreichische Rundschau, Volume 6, 1906, 502—516, and republished: Julius Schlosser, Präludien Vorträge und Aufsätze, Berlin: Bard 1927, 227—247. Translated with an introduction by Karl Johns [PDF]
In an unusually popular and readable dialogue form, Schlosser alludes to the classical education he takes for granted in any reader approaching his favourite ‘thorny’ questions from aesthetics and history.
Julius Schlosser
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