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Iconoclasm

2021
Abstract Iconoclasm is the modern name used to describe the debate about the legitimacy of portraits of Christ, Mary, and the saints in Orthodox devotional practice that began in the 720s and was resolved with the “triumph of Orthodoxy” in 843. It had an impact on Byzantine culture in two fundamental ways. First, it sealed the importance
Scott A. Chamberlin, Eric L. Mann
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Further thoughts on iconoclasm

open access: yesHAU: Journal of Ethnographic Theory, 2020
Inspired by the thoughts of Zoë Strother, in this short piece I rethink my previous work on iconoclasm in West Africa, saluting her invitation to consider iconoclasm as part and parcel of African culture and her methodological combination of history ...
Ramon Sarro
exaly   +2 more sources

Iconoclasm

Aircraft Engineering and Aerospace Technology, 1952
ENGINEERS tending perhaps to be rather conservative beings it is no bad thing for one of their number from time to time to rise up and give them a ‘jolt’ by querying the bases on which their methods are founded or otherwise shaking them out of their complacency by casting doubts on the legitimacy of traditional methods of procedure.
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Iconoclasm

1992
Abstract Iconoclasm, literally the smashing of images, is the term designating the movement that forbade the making or veneration of images, whether of God or of saints. The opposite position we usually call Iconoduly, although that word is not attested in Greek.
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