Results 71 to 80 of about 482 (178)
Incarnation and Icon in the Polemical Works of St. John of Damascus
The proposed text aims to present the meaning of the dogma of the Incarnation in relation to the representation of God, as articulated in the polemical writings of St. John Damascene, one of the most significant defenders of icon veneration.
Alena Kerezova
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Religious Studies Review, Volume 52, Issue 2, Page 432-436, June 2026.
Mariam Sheibani
wiley +1 more source
« My dear audacious Moore » : les poses de l’artiste décadent dans Confessions of a Young Man
In George Moore’s Confessions of a Young Man, published in 1886 at the beginning of Moore’s career, audacity, which is manifested both in the story and in the telling, verges on iconoclasm yet also appears as a pose.
Fabienne Gaspari
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This essay explores the process linked to the desecration and subsequent rebuilding of monuments erected on the French Riviera to commemorate the British monarchs who had a positive influence on the development of Menton, Cannes and Nice as coastal ...
Gilles TEULIÉ
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Is Aesthetic Good? A Study on the Aesthetic and Vitality Judgment of Pictorial Representations of the Dead, Saints and Non-Saints. [PDF]
Schieppati SV +4 more
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Culture, heritage looting, and tourism: A text mining review approach. [PDF]
Loureiro SMC +4 more
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Word and Mystery: The Acoustics of Cultural Transmission During the Protestant Reformation. [PDF]
Boren B.
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Developmental Psychology in cultural historical context - overview and further reflections. [PDF]
Koops W.
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Two God-Kings, Two Skulls: Artificial Cranial Deformation in Akhenaten of Egypt and Khingila of the Huns. [PDF]
Turner MD.
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