Results 11 to 20 of about 496 (179)

Review of "Iconoclasm: The Breaking and Making of Images" edited by Rachel F. Stapleton and Antonio Viselli (McGill-Queen University Press)

Lateral, 2020
Using an eclectic mix of artifacts (e.g. romance novels, historical sites, religious texts, literary texts), 'Iconoclasm' highlights the cyclical nature of iconoclastic gestures and iconolatry.
Charles Athanasopoulos
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Iconoclasme, histoire de l’art et valeurs

Perspective, 2018
Recognizing the profusion of studies on the phenomena of destruction, this essay begins by analyzing the historiographical situation of the early 1980s. Ulmer Verein für Kunstwissenschaft responded to the prescriptive perspective of Louis Réau’s Histoire
Dario Gamboni
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Iconoclasm in the German engravings in XVI century

Intrecci d'arte, 2018
The role of the religious images, mainly discussed, in the polemic between catholics and protestants, under the historic and theological point of view, has been reflected in some German engravings, representing iconoclasm scenes.The iconoclastic riots ...
Guido Checchi
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Iconoclasm in Visual Music

Body, Space & Technology Journal, 2014
From the earliest experimental film works to today’s contemporary and diverse use of moving image platforms, the notion of visual music is considered synonymous with abstract animation, because in part, abstract imagery is employed across the vast ...
Emmanouil Kanellos
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Les iconoclasmes en Afrique : émergence d’un sujet d’étude

Perspective, 2018
It is time to confront the fact that monuments and works of art often come to a violent end in Africa, whether burned, buried, smashed, or drowned.
Z. S. Strother
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Bizans İkonoklazm Tartışması (726-843) ve Ayasofya: Tasvir İhtilafının Mabedin Tezyinatına Etkisi/yzantine Iconoclastic Controversy (726-843) and the Hagia Sophia: The Impact of the Controversy of Images on the Ornaments of the Church

Oksident, 2023
When the Byzantine Emperor Justinian inaugurated the Church of Hagia Sophia in 537 AD, mosaic icons did not exist. Instead, Justinian’s program included non-figurative and abstract decorative motifs and lots of crosses. The first appearance of the mosaic
Bilal Baş
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Patriarch Tarasios: An exponent of Byzantine church diplomacy in relation to Rome and the bishop of Constantinople

HTS Teologiese Studies/Theological Studies, 2021
On September 24, 787, the works of the VII Ecumenical Synod were opened in the ‘Saint Sophia’ Church in Nicaea, after the first attempt, on August 7, 786, had failed. Although the nominal presidency was held by the legates of Pope Adrian I, the effective
Chifar Nicolae
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«Those Brought Together not by God, but by the Devil Must Share the Same Arrows and Wounds»: Accusation of Iconoclasm in Nicephorus Gregoras

Античная древность и средние века, 2018
Nicephorus Gergoras was the first polemicist of the XIVth century to bring an accusation of iconoclasm against Gregory Palamas and his partisans drawing upon Nicephorus’ of Constantinople writings erroneously ascribed to Theodore Graptos.
Lev Lukhovitskiy
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Образ города в мозаиках базилики Рождества Христова в Вифлееме

Искусство Евразии, 2020
Аниконическая иконография церковных соборов в виде архитектурных мотивов, которая представлена в мозаиках базилики Рождества Христова в Вифлееме 1169 г., встречается сравнительно редко.
Этингоф, Ольга Евгеньевна
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Secrecy, Politics, Monasteries, and Byzantine Iconoclasm

Religions
The Byzantine iconoclastic controversy (726–843) has sparked a debate among Byzantine scholars. The literature on iconoclasm and Byzantine history links the onset of the Iconoclasm period to various indirect factors, including the dual nature of Christ ...
Zeliha Senel
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