Results 71 to 80 of about 3,864 (161)

How Love for the Image Cast out Fear of It in Early Christianity

open access: yesReligions, 2017
Iconoclastic and iconophilic impulses have long vied for pre-eminence in Christianity, coming to one particularly fraught crisis point in the Byzantine Iconomachy of the eighth and ninth centuries.
Natalie Carnes
doaj   +1 more source

Kenosis, Economy, Inscription

open access: yesJournal of French and Francophone Philosophy, 2013
Part of a roundtable on Julia Kristeva's The Severed Head:   Chapters Five and Six of Julia Kristeva’s The Severed ...
Elaine Miller
doaj   +1 more source

‘A dialogue about the art of portraiture’ Originally published as ‘Gespräch von der Bildniskunst’, Österreichische Rundschau, Volume 6, 1906, 502—516, and republished: Julius Schlosser, Präludien Vorträge und Aufsätze, Berlin: Bard 1927, 227—247. Translated with an introduction by Karl Johns [PDF]

open access: yesJournal of Art Historiography, 2011
In an unusually popular and readable dialogue form, Schlosser alludes to the classical education he takes for granted in any reader approaching his favourite ‘thorny’ questions from aesthetics and history.
Julius Schlosser
doaj  

Writing about the ymage in fifteenth-century England [PDF]

open access: yesJournal of Art Historiography, 2020
Beginning in the late 14th century and continuing through the 15th century, religious reform movements in England made the use of images a matter of fierce dispute.
Marjorie Munsterberg
doaj  

Incarnation and Icon in the Polemical Works of St. John of Damascus

open access: yesForum Theologicum Sardicense
The proposed text aims to present the meaning of the dogma of the Incarnation in relation to the representation of God, as articulated in the polemical writings of St. John Damascene, one of the most significant defenders of icon veneration.
Alena Kerezova
doaj   +1 more source

Hearing the Past through the Sonic Icon

open access: yes
Religious Studies Review, Volume 52, Issue 2, Page 394-398, June 2026.
Reyhan Durmaz
wiley   +1 more source

Iconoclasm

open access: yesRenaissance Quarterly, 2017
Stacy Boldrick, Richard Clay
  +5 more sources

« My dear audacious Moore » : les poses de l’artiste décadent dans Confessions of a Young Man

open access: yesCahiers Victoriens et Edouardiens, 2012
In George Moore’s Confessions of a Young Man, published in 1886 at the beginning of Moore’s career, audacity, which is manifested both in the story and in the telling, verges on iconoclasm yet also appears as a pose.
Fabienne Gaspari
doaj   +1 more source

World War Two Iconoclasm: The Destruction and Reconstruction of memorials to Queen Victoria and Edward VII on the French Riviera

open access: yesE-REA, 2017
This essay explores the process linked to the desecration and subsequent rebuilding of monuments erected on the French Riviera to commemorate the British monarchs who had a positive influence on the development of Menton, Cannes and Nice as coastal ...
Gilles TEULIÉ
doaj   +1 more source

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