Results 71 to 80 of about 3,864 (161)
How Love for the Image Cast out Fear of It in Early Christianity
Iconoclastic and iconophilic impulses have long vied for pre-eminence in Christianity, coming to one particularly fraught crisis point in the Byzantine Iconomachy of the eighth and ninth centuries.
Natalie Carnes
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Part of a roundtable on Julia Kristeva's The Severed Head: Chapters Five and Six of Julia Kristeva’s The Severed ...
Elaine Miller
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‘A dialogue about the art of portraiture’ Originally published as ‘Gespräch von der Bildniskunst’, Österreichische Rundschau, Volume 6, 1906, 502—516, and republished: Julius Schlosser, Präludien Vorträge und Aufsätze, Berlin: Bard 1927, 227—247. Translated with an introduction by Karl Johns [PDF]
In an unusually popular and readable dialogue form, Schlosser alludes to the classical education he takes for granted in any reader approaching his favourite ‘thorny’ questions from aesthetics and history.
Julius Schlosser
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Writing about the ymage in fifteenth-century England [PDF]
Beginning in the late 14th century and continuing through the 15th century, religious reform movements in England made the use of images a matter of fierce dispute.
Marjorie Munsterberg
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Incarnation and Icon in the Polemical Works of St. John of Damascus
The proposed text aims to present the meaning of the dogma of the Incarnation in relation to the representation of God, as articulated in the polemical writings of St. John Damascene, one of the most significant defenders of icon veneration.
Alena Kerezova
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Hearing the Past through the Sonic Icon
Religious Studies Review, Volume 52, Issue 2, Page 394-398, June 2026.
Reyhan Durmaz
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Religious Studies Review, Volume 52, Issue 2, Page 432-436, June 2026.
Mariam Sheibani
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« My dear audacious Moore » : les poses de l’artiste décadent dans Confessions of a Young Man
In George Moore’s Confessions of a Young Man, published in 1886 at the beginning of Moore’s career, audacity, which is manifested both in the story and in the telling, verges on iconoclasm yet also appears as a pose.
Fabienne Gaspari
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This essay explores the process linked to the desecration and subsequent rebuilding of monuments erected on the French Riviera to commemorate the British monarchs who had a positive influence on the development of Menton, Cannes and Nice as coastal ...
Gilles TEULIÉ
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