Culture, heritage looting, and tourism: A text mining review approach. [PDF]
Loureiro SMC +4 more
europepmc +1 more source
In today's Russian mass consciousness, there is an attitude that contemporary art, primarily Western, embarked on the path of departure from canonical images and structures in relatively recent times – about a hundred years ago.
Alexander Kashchenko / Александр Викторович Кащенко +1 more
doaj +1 more source
Word and Mystery: The Acoustics of Cultural Transmission During the Protestant Reformation. [PDF]
Boren B.
europepmc +1 more source
Common Guild Commentary: Sam Durant 'Iconoclasm'
A commentary on Sam Durant's exhibition, shown as part of GI 2021: "Across multiple outdoor sites in the city, The Common Guild presents Sam Durant’s ‘Iconoclasm’ – a series of drawings depicting acts of destruction enacted upon public statues and ...
Thomson, Amanda
core
Obraz vs ślad, czyli o nihilizmie, ikonoklazmie, ikonofilii i nie tylko
Review: Andrzej Zawadzki, Obraz i ślad [Image and Trace], Cracow: Wydawnictwo Uniwersytetu Jagiellońskiego, cop. 2014.
Maciej Michalski
doaj
Tomasik explores international reactions – mostly those in centres of Russian white émigrés – to the demolition of the Russian Orthodox Alexander Nevsky Cathedral in Warsaw’s Saxon Square (1920-1926).
Wojciech Tomasik
doaj
The aim of this article is to comprehend the significance of superimpositions as social practices and processes and to deconstruct how notions of superimpositions and vandalism have been used in rock art studies.
Motta Ana Paula, Hampson Jamie
doaj +1 more source
Developmental Psychology in cultural historical context - overview and further reflections. [PDF]
Koops W.
europepmc +1 more source
‘A dialogue about the art of portraiture’ Originally published as ‘Gespräch von der Bildniskunst’, Österreichische Rundschau, Volume 6, 1906, 502—516, and republished: Julius Schlosser, Präludien Vorträge und Aufsätze, Berlin: Bard 1927, 227—247. Translated with an introduction by Karl Johns [PDF]
In an unusually popular and readable dialogue form, Schlosser alludes to the classical education he takes for granted in any reader approaching his favourite ‘thorny’ questions from aesthetics and history.
Julius Schlosser
doaj
Two God-Kings, Two Skulls: Artificial Cranial Deformation in Akhenaten of Egypt and Khingila of the Huns. [PDF]
Turner MD.
europepmc +1 more source

