Results 51 to 60 of about 489 (180)
Iconoclasia, performance y la opacidad de la presencia
Alteridades, 2017 Iconoclasm, Performanceand The opacITyof presence.In Literature, it has been stated that the notion of per-formance is articulated together with creation of pres-ence.
RODRIGO DÍAZ CRUZ
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Индустрии впечатлений: Технологии социокультурных исследованийIn today's Russian mass consciousness, there is an attitude that contemporary art, primarily Western, embarked on the path of departure from canonical images and structures in relatively recent times – about a hundred years ago.
Alexander Kashchenko / Александр Викторович Кащенко +1 more
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Erving Goffman at 100: A Chameleon Seen as a Rorschach Test within a Kaleidoscope
Symbolic Interaction, Volume 49, Issue 1, Page 3-47, February 2026.The 100th anniversary of Erving Goffman's birth was in 2022. Drawing on his work, the Goffman archives, the secondary literature, and personal experiences with him and those in his university of Chicago cohort, I reflect on some implications of his work and life, and the inseparable issues of understanding society.
Gary T. Marx
wiley +1 more source
Coinage of Cherson in the first half of the VIII century
Материалы по археологии и истории античного и средневекового Крыма, 2010 The article was written to highlight the "dark age" of Byzantine Taurica history - the era of iconoclasm. Given the fact that the written sources do not contain the necessary information, and archaeological sites are still being studied, we were involved
Mikhail Choref
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The Iconic Word: The Theological and Rhetorical Sources of a New Ut Pictura Poesis
Sillages Critiques, 2016 This article questions the Renaissance, humanist understanding of the Horatian adage, Ut Pictura Poesis, and endeavors to elucidate the specific ways in which a lyric poem can be considered as an object to be looked at. The early modern poetic production
Anne-Marie Miller-Blaise
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No Art on a Dead Planet: Political Iconoclasm as Climate Activism
Journal of Applied Philosophy, Volume 43, Issue 1, Page 215-234, February 2026.ABSTRACT A trend has recently emerged among climate activists of attacking artworks as a means of registering protest. I analyse this mode of protest, which I term political iconoclasm, and offer a novel partial defence of political iconoclasm as a protest strategy for environmental activists. I focus on Just Stop Oil's attack on van Gogh's Sunflowers.
A. M. Hilder Jarvis
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The Ethics of Blindness and the Postmodern Sublime: Levinas and Lyotard
Вестник Мининского университета, 2017 The excerpt below is the final chapter of M. Jay’s “Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought” concerning the long-term confrontment “iconoclasm vs visual imaginary” within modern European culture.
M. .. Jay, A. V. Khazina, F. V. Nicolai
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Back Again to the Future: A New Era for Cerebroprotection
Annals of Neurology, Volume 99, Issue 1, Page 19-34, January 2026.Cerebroprotection is a fresh framework for designing neurological therapy that targets glia and vascular cells, in addition to neurons. In the future, successful cerebroprotection will involve targeting all elements of the neurovascular unit. Preclinical trials must include functional outcomes, as well as lesion morphometry.
Patrick Lyden
wiley +1 more source
Art, Trent, and Michelangelo’s “Last Judgment”
Religions, 2012 Michelangelo’s “Last Judgment” in the Sistine Chapel is one of the world’s most famous paintings, completed in 1542. Greatly admired, it was also criticized for the frontal nudity of some of the figures.
John O'Malley
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Interfaces, 2020 This article aims to identify the aesthetic and political stakes raised by artistic vandalism as practiced by the Joker at the Flugenheim Museum in Gotham City in Tim Burton’s Batman (1989).
Pierre-Antoine Pellerin
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