Results 161 to 170 of about 2,612 (222)
The Gendered Nose and its Lack: "Medieval" Nose-Cutting and its Modern Manifestations. [PDF]
J Womens Hist, 2014 Skinner P.
europepmc +1 more source
How deep is your art: An experimental study on the limits of artistic understanding in a single-task, single-modality neural network. [PDF]
PLoS OneAgha Zahedi M, Gholamrezaei N, Doboli A.
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Destroying the "Four Olds" Iconoclasm, Maoism and the Cultural Revolution in China
Dunér, Ingrid,, Lund University.
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Further thoughts on iconoclasm
HAU: Journal of Ethnographic Theory, 2020 Inspired by the thoughts of Zoë Strother, in this short piece I rethink my previous work on iconoclasm in West Africa, saluting her invitation to consider iconoclasm as part and parcel of African culture and her methodological combination of history ...
Ramon Sarro
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2021
Abstract Iconoclasm is the modern name used to describe the debate about the legitimacy of portraits of Christ, Mary, and the saints in Orthodox devotional practice that began in the 720s and was resolved with the “triumph of Orthodoxy” in 843. It had an impact on Byzantine culture in two fundamental ways. First, it sealed the importance
Scott A. Chamberlin, Eric L. Mann
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Abstract Iconoclasm is the modern name used to describe the debate about the legitimacy of portraits of Christ, Mary, and the saints in Orthodox devotional practice that began in the 720s and was resolved with the “triumph of Orthodoxy” in 843. It had an impact on Byzantine culture in two fundamental ways. First, it sealed the importance
Scott A. Chamberlin, Eric L. Mann
+4 more sources
International Journal of Heritage Studies, 2018 This article examines the heritage destruction undertaken by the Islamic State (IS) in Iraq and Syria. To date, their iconoclasm has been mostly characterised either as acts of wanton barbarism devoid of religious or political justification, or as a ...
Benjamin Isakhan +1 more
exaly +1 more source
2014
Abstract Understanding iconoclasm simply as the breaking of images fails to adequately address why reformers of all eras have sought to decapitate, maim, and otherwise erase sacred art. This chapter takes a long view of iconoclasm as the active interrogation of objects by objects—through case studies from ancient, medieval, and ...
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Abstract Understanding iconoclasm simply as the breaking of images fails to adequately address why reformers of all eras have sought to decapitate, maim, and otherwise erase sacred art. This chapter takes a long view of iconoclasm as the active interrogation of objects by objects—through case studies from ancient, medieval, and ...
openaire +1 more source