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Iconoclasm from antiquity to modernity (review)
The papers in this volume are collected with the purpose, according to the editors, of broadening the perspective in which the most remarkable historical instances of iconoclasm, in Byzantium and the Reformation, are understood.
Garstad, Benjamin
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Did emperor Leo III introduce imperial iconoclasm?
This essay explores the origins of Byzantine iconoclasm, traditionally attributed to Emperor Leo III in the second quarter of the 8th century. It examines the influence of the Islamic world on Leo’s actions, considering whether Arab interactions may ...
Henrique De
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The Christian icon – from eikon, the Greek word for ‘image’ – has been part of liturgical worship from the early centuries of the Christian era, and sometimes also a subject of theological debate.
Aidan Hart
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Interacting with Monuments : Idolatry, Iconoclasm, Iconoclash
Chapter on different approaches to monuments, from iconoclasm to disinterested, with examples from Scanian statue debates over the past ...
Zander, Ulf
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Iconoclasm as a Critique of the Digital Scopic Regime
When faced with the diagnosis of a digital scopic regime defined by the ubiquity of images, iconoclasm emerges as a possible critical approach. By adapting what Spanish author José Luis Brea (2010) called “The three eras of the image”, this paper ...
Roldán, Eugenia María, Molina, Manuel
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2021
Abstract Iconoclasm is the modern name used to describe the debate about the legitimacy of portraits of Christ, Mary, and the saints in Orthodox devotional practice that began in the 720s and was resolved with the “triumph of Orthodoxy” in 843. It had an impact on Byzantine culture in two fundamental ways. First, it sealed the importance
Scott A. Chamberlin, Eric L. Mann
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Abstract Iconoclasm is the modern name used to describe the debate about the legitimacy of portraits of Christ, Mary, and the saints in Orthodox devotional practice that began in the 720s and was resolved with the “triumph of Orthodoxy” in 843. It had an impact on Byzantine culture in two fundamental ways. First, it sealed the importance
Scott A. Chamberlin, Eric L. Mann
+4 more sources
This article examines the heritage destruction undertaken by the Islamic State (IS) in Iraq and Syria. To date, their iconoclasm has been mostly characterised either as acts of wanton barbarism devoid of religious or political justification, or as a ...
José Antonio González Zarandona +1 more
exaly +1 more source
1992
Abstract Iconoclasm, literally the smashing of images, is the term designating the movement that forbade the making or veneration of images, whether of God or of saints. The opposite position we usually call Iconoduly, although that word is not attested in Greek.
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Abstract Iconoclasm, literally the smashing of images, is the term designating the movement that forbade the making or veneration of images, whether of God or of saints. The opposite position we usually call Iconoduly, although that word is not attested in Greek.
openaire +1 more source

