Results 21 to 30 of about 496 (179)
Gender &History, EarlyView.ABSTRACT The contributions of propagandist and writer Hildegart (1914–1933) to Spanish cultural life are overshadowed by accounts of her unusual upbringing and violent death. This article examines the conditions that enabled the teenager to become a prominent voice for feminism and sexual reform on the eve of Spain's Second Republic (1931–1939).
Micaela Pattison
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The Muslim World, EarlyView.Abstract This article discusses the concept of the Judeo‐Islamic God as a substantive and defensible alternative to the problematic concept of the “Judeo‐Christian God” in popular, political, and academic Western discourses. It argues that the transcendent monotheistic deity of Islam, Allāh, is a direct continuation of the composite deity of Rabbinic ...
Jeffry R. Halverson
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Iconoclasm – A Road to Modernization?
European Review, 2022 My point of departure is a conflict over images in the churches in Bergen, Norway in the 1560s, around 30 years after the Reformation. This introduced a brief period of iconoclasm in Denmark–Norway, inspired by Reformed theology. Soon, however, mainstream Lutheranism took over and statues and pictures were reintroduced. The different views on images in
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No History Without a Method: Anticipation and Other Bad Contexts
Theoria, EarlyView.ABSTRACT This paper argues for the centrality of methodological awareness in writing the history of philosophy. It does this by analysing and comparing different interpretive proposals presented by those engaged with past philosophical texts. Taking the literature on Thomas Hobbes from past and present century as an example, it shows the merits of ...
Ieva Höhne
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Iconoclasm as a Subject of Visual Theology / Иконоборчество как предмет визуальной теологии
Визуальная теология, 2021 The purpose of the research is analyzing philosophical and theological aspects of iconoclasm taking into account its various forms and secular analogies.
Alexander Pigalev / Александр Иванович Пигалев
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Australian and New Zealand Journal of Family Therapy, Volume 47, Issue 3, September 2026.ABSTRACT Dr Paul Gibney, a highly respected and experienced psychotherapist and family therapist based in Brisbane, Australia, boasts a career of nearly 50 years. His work uniquely integrates systemic and Jungian thought, stemming from his original training in Gestalt and psychoanalytic therapy. This distinctive approach is applied in his practice with
Michael W. Ellwood
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Historia de dos monumentos: el ascenso del héroe, la caída de un villano y el olvido de Rodin
Nuevo mundo - Mundos Nuevos, 2023 While Captain Arturo Prat was an early victim of the Pacific War (1879-1883), turning his defeat into a symbol of heroism, General Manuel Baquedano led the Chilean army to victory in that same war, turning his triumph into a ...
José de Nordenflycht
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National Relics: Secular Sacrality, Museums, and Heritage‐Making in Nineteenth‐Century Chile
Museum Anthropology, Volume 49, Issue 2, Fall 2026.ABSTRACT This article examines how objects and bodily remains are transformed and ritualized into national relics through collecting and exhibiting practices in museums. Focusing on nineteenth‐century Chile, it draws on archival sources, material culture theory, and the anthropology of religion to argue that objects associated with Chile's nation‐state
Hugo Rueda Ramírez
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The Ethics of Blindness and the Postmodern Sublime: Levinas and Lyotard
Вестник Мининского университета, 2017 The excerpt below is the final chapter of M. Jay’s “Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought” concerning the long-term confrontment “iconoclasm vs visual imaginary” within modern European culture.
M. .. Jay, A. V. Khazina, F. V. Nicolai
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« My dear audacious Moore » : les poses de l’artiste décadent dans Confessions of a Young Man
Cahiers Victoriens et Edouardiens, 2012 In George Moore’s Confessions of a Young Man, published in 1886 at the beginning of Moore’s career, audacity, which is manifested both in the story and in the telling, verges on iconoclasm yet also appears as a pose.
Fabienne Gaspari
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