Results 61 to 70 of about 496 (179)

Iconoclasm

open access: yesRenaissance Quarterly, 2017
Stacy Boldrick, Richard Clay
  +5 more sources

Mutiler, tuer, désactiver les images en Égypte pharaonique

open access: yesPerspective, 2018
The Egyptian antiquities that have come down to us have often been severely mutilated. While the damage may be the result of natural and accidental causes, in very many cases the images show clear signs of intentional destruction.
Simon Connor
doaj   +1 more source

Culture, heritage looting, and tourism: A text mining review approach. [PDF]

open access: yesFront Psychol, 2022
Loureiro SMC   +4 more
europepmc   +1 more source

From Louis to the "Carnival of the dead mongts": western art in search of meaning, or how painters thrown between the cross and bones / От Людовика до «Карнавала мертвых дворняг»: западное искусство в поисках смысла, или как живописцы метались между крестом и костями

open access: yesИндустрии впечатлений: Технологии социокультурных исследований
In today's Russian mass consciousness, there is an attitude that contemporary art, primarily Western, embarked on the path of departure from canonical images and structures in relatively recent times – about a hundred years ago.
Alexander Kashchenko / Александр Викторович Кащенко   +1 more
doaj   +1 more source

Śmierć świątyni

open access: yesTeksty Drugie, 2018
Tomasik explores international reactions – mostly those in centres of Russian white émigrés – to the demolition of the Russian Orthodox Alexander Nevsky Cathedral in Warsaw’s Saxon Square (1920-1926).
Wojciech Tomasik
doaj  

Obraz vs ślad, czyli o nihilizmie, ikonoklazmie, ikonofilii i nie tylko

open access: yesTeksty Drugie, 2016
Review: Andrzej Zawadzki, Obraz i ślad [Image and Trace], Cracow: Wydawnictwo Uniwersytetu Jagiellońskiego, cop. 2014.
Maciej Michalski
doaj  

Ancestral Connections: Re-Evaluating Concepts of Superimpositioning and Vandalism in Rock Art Studies

open access: yesOpen Archaeology
The aim of this article is to comprehend the significance of superimpositions as social practices and processes and to deconstruct how notions of superimpositions and vandalism have been used in rock art studies.
Motta Ana Paula, Hampson Jamie
doaj   +1 more source

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