Results 51 to 60 of about 490 (180)

Coinage of Cherson in the first half of the VIII century

open access: yesМатериалы по археологии и истории античного и средневекового Крыма, 2010
The article was written to highlight the "dark age" of Byzantine Taurica history - the era of iconoclasm. Given the fact that the written sources do not contain the necessary information, and archaeological sites are still being studied, we were involved
Mikhail Choref
doaj  

From Louis to the "Carnival of the dead mongts": western art in search of meaning, or how painters thrown between the cross and bones / От Людовика до «Карнавала мертвых дворняг»: западное искусство в поисках смысла, или как живописцы метались между крестом и костями

open access: yesИндустрии впечатлений: Технологии социокультурных исследований
In today's Russian mass consciousness, there is an attitude that contemporary art, primarily Western, embarked on the path of departure from canonical images and structures in relatively recent times – about a hundred years ago.
Alexander Kashchenko / Александр Викторович Кащенко   +1 more
doaj   +1 more source

‘That Profession and Habit that None Other Be of Within this Realm’: The Battel Hall Retable, Visual Culture and Intersections of Community Identity in a Late Medieval English Convent

open access: yesHistory, Volume 111, Issue 394, Page 30-53, January 2026.
Abstract The Battel Hall Retable – created around the late fourteenth to early fifteenth century and once belonging to the Dominican nuns of Dartford Priory – offers a rare glimpse into the visual lives of late medieval English nuns, inviting an insight into the intersections of communal identities for these women religious.
ELIZABETH GOODWIN
wiley   +1 more source

Iconoclasia, performance y la opacidad de la presencia

open access: yesAlteridades, 2017
Iconoclasm, Performanceand The opacITyof presence.In Literature, it has been stated that the notion of per-formance is articulated together with creation of pres-ence.
RODRIGO DÍAZ CRUZ
doaj  

The Iconic Word: The Theological and Rhetorical Sources of a New Ut Pictura Poesis

open access: yesSillages Critiques, 2016
This article questions the Renaissance, humanist understanding of the Horatian adage, Ut Pictura Poesis, and endeavors to elucidate the specific ways in which a lyric poem can be considered as an object to be looked at. The early modern poetic production
Anne-Marie Miller-Blaise
doaj   +1 more source

Effectively Maintained Inequality in Canada Revisited

open access: yesCanadian Review of Sociology/Revue canadienne de sociologie, Volume 62, Issue 4, Page 281-298, November 2025.
ABSTRACT The mass expansion of higher education (HE) systems during the 20th century pushed social scientists to theorize how high participation systems continued to reproduce inequalities across socio‐economic lines. One popular theory in sociology, dubbed effectively maintained inequality (EMI), suggests that families from the upper economic strata ...
Roger Pizarro Milian, David Zarifa
wiley   +1 more source

The Ethics of Blindness and the Postmodern Sublime: Levinas and Lyotard

open access: yesВестник Мининского университета, 2017
The excerpt below is the final chapter of M. Jay’s “Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought” concerning the long-term confrontment “iconoclasm vs visual imaginary” within modern European culture.
M. .. Jay, A. V. Khazina, F. V. Nicolai
doaj  

Collaborative diffusion: The dynamics of policy output in COVID‐19 interstate compacts

open access: yesPolicy Studies Journal, Volume 53, Issue 4, Page 944-970, November 2025.
Abstract Interstate compacts are formal structures through which multiple states work together towards a common goal or shared agenda. Previous research on compacts focuses almost exclusively on the decision to join the compact, leaving questions on post‐formation diffusion patterns unexplored.
Isaac Pollert   +4 more
wiley   +1 more source

Art, Trent, and Michelangelo’s “Last Judgment”

open access: yesReligions, 2012
Michelangelo’s “Last Judgment” in the Sistine Chapel is one of the world’s most famous paintings, completed in 1542. Greatly admired, it was also criticized for the frontal nudity of some of the figures.
John O'Malley
doaj   +1 more source

Le Joker au musée dans Batman de Tim Burton, ou le vandalisme artistique entre avant-garde et culture populaire

open access: yesInterfaces, 2020
This article aims to identify the aesthetic and political stakes raised by artistic vandalism as practiced by the Joker at the Flugenheim Museum in Gotham City in Tim Burton’s Batman (1989).
Pierre-Antoine Pellerin
doaj   +1 more source

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