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TDR/The Drama Review, 2012
This iconoclastic essay/talk/performance about iconoclasm was influenced by the “Critical Dictionary” in Bataille's Documents magazine and is illustrated with drawings made on a flight from Austin to New York City.
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This iconoclastic essay/talk/performance about iconoclasm was influenced by the “Critical Dictionary” in Bataille's Documents magazine and is illustrated with drawings made on a flight from Austin to New York City.
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2011
The tension between nature and art was high during the Iconoclasm movement, which formed a key part of English Reformation thought, recurring in waves for almost a century from the 1530s to the 1640s.1 Iconoclasts advocated the breaking of statues, idols, and paintings connected with Catholic veneration and therefore seen as superstitious.
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The tension between nature and art was high during the Iconoclasm movement, which formed a key part of English Reformation thought, recurring in waves for almost a century from the 1530s to the 1640s.1 Iconoclasts advocated the breaking of statues, idols, and paintings connected with Catholic veneration and therefore seen as superstitious.
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