Results 21 to 30 of about 2,612 (222)
On September 24, 787, the works of the VII Ecumenical Synod were opened in the ‘Saint Sophia’ Church in Nicaea, after the first attempt, on August 7, 786, had failed. Although the nominal presidency was held by the legates of Pope Adrian I, the effective
Chifar Nicolae
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Nicephorus Gergoras was the first polemicist of the XIVth century to bring an accusation of iconoclasm against Gregory Palamas and his partisans drawing upon Nicephorus’ of Constantinople writings erroneously ascribed to Theodore Graptos.
Lev Lukhovitskiy
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“A Program of Complete Disorder”: The Black Iconoclasm Within Fanonian Thought
This essay examines the scholarship of revolutionary theorist Frantz Fanon and the debate surrounding his conception of decolonization and “new humanism.” Across a multitude of fields, Black and cultural studies among them, Fanon has been heralded as an ...
Charles Athanasopoulos
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Образ города в мозаиках базилики Рождества Христова в Вифлееме
Аниконическая иконография церковных соборов в виде архитектурных мотивов, которая представлена в мозаиках базилики Рождества Христова в Вифлееме 1169 г., встречается сравнительно редко.
Этингоф, Ольга Евгеньевна
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Textual Authority, Modern Confucianism, and the Politics of Antitradition in Republican China
Confucian Iconoclasm proposes a novel account of the emergence of modern Confucian philosophy in Republican China (1912–1949), challenging the historiographical paradigm that modern (or New) Confucianism sought to preserve traditions against the ...
Major, Philippe
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Secrecy, Politics, Monasteries, and Byzantine Iconoclasm
The Byzantine iconoclastic controversy (726–843) has sparked a debate among Byzantine scholars. The literature on iconoclasm and Byzantine history links the onset of the Iconoclasm period to various indirect factors, including the dual nature of Christ ...
Zeliha Senel
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The Iconic Word: The Theological and Rhetorical Sources of a New Ut Pictura Poesis
This article questions the Renaissance, humanist understanding of the Horatian adage, Ut Pictura Poesis, and endeavors to elucidate the specific ways in which a lyric poem can be considered as an object to be looked at. The early modern poetic production
Anne-Marie Miller-Blaise
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Toxic Monuments and Mnemonic Regime Change
This article takes as its point of departure the recent wave of contestations relating to colonial-era monuments in Europe. While the toppling of monuments has long been a part of political regime change, recent attacks on monuments need to be understood
Ann Rigney
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Art, Trent, and Michelangelo’s “Last Judgment”
Michelangelo’s “Last Judgment” in the Sistine Chapel is one of the world’s most famous paintings, completed in 1542. Greatly admired, it was also criticized for the frontal nudity of some of the figures.
John O'Malley
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How Love for the Image Cast out Fear of It in Early Christianity
Iconoclastic and iconophilic impulses have long vied for pre-eminence in Christianity, coming to one particularly fraught crisis point in the Byzantine Iconomachy of the eighth and ninth centuries.
Natalie Carnes
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