Results 41 to 50 of about 489 (180)

Norman and Nietzsche: The Political Project of Lindsay's The Magic Pudding

Australian Journal of Politics &History, Volume 72, Issue 2, Page 256-268, June 2026.
Australian artist and writer Norman Lindsay (1879–1969) wrote 11 novels and two children's books, one of which—The Magic Pudding first published in 1918—remains a national classic. This article argues that readers and critics have long misunderstood Lindsay's intention in writing this lengthy cartoon‐story about the adventures of Bunyip Bluegum in ...
John Uhr
wiley   +1 more source

Epistemology and Ontology in Family Therapy: A ‘Holding’ of Both

Journal of Family Therapy, Volume 48, Issue 2, May 2026.
ABSTRACT This paper discusses the changes brought to family therapy by the advent of postmodern philosophy. We examine the role of social constructionism in this context and distinguish its various versions based on their realist or anti‐realist perspectives.
Tasos Travasaros
wiley   +1 more source

Still Life with a Machine

RSA Journal, 2003
Focused on the paradigmatic shift brought about by the typewriter on the compositional habits of Cummings, the paper explores the interrelations between the history of technology and his poetry.
Salvatore Marano
doaj   +1 more source

Образ города в мозаиках базилики Рождества Христова в Вифлееме

Искусство Евразии, 2020
Аниконическая иконография церковных соборов в виде архитектурных мотивов, которая представлена в мозаиках базилики Рождества Христова в Вифлееме 1169 г., встречается сравнительно редко.
Этингоф, Ольга Евгеньевна
doaj   +1 more source

Churchill and Spain: More Sancho than Quixote?

History, Volume 111, Issue 395, Page 217-236, March 2026.
Abstract This article offers a detailed analysis of Winston Churchill's relationship with Spain over the course of his long and eventful political and personal life. The article focuses on three key episodes: Churchill's ambivalent stance during the Spanish Civil War; his leadership and policy towards Spain during the crucial years of the Second World ...
EMILIO SÁENZ‐FRANCÉS
wiley   +1 more source

Reading Through Traces: Xaverian Strategies of Including Chinese Folk Deities’ Statues in Museum Displays and Fictions in Parma, Italy

Museum Anthropology, Volume 49, Issue 1, Spring 2026.
ABSTRACT This work reflects on the presence of a desacralized Buddha statue in the Museum of Chinese Art and Ethnography, established in Parma, Italy, in 1901 by Xaverian missionaries. The Buddha's hollowed back is a potent trace of the transnational interactions between these Roman Catholic missionaries and folk believers from the Henan region ...
Valentina Gamberi
wiley   +1 more source

WEIGHING THE WORK OF LOVE: ON KATE DAVIS’S RE-VISIONED ICONOCLASM

Art is on, 2018
This essay offers a close reading of recent work by Glasgow-based artist Kate Davis to argue that her practice engages iconoclasm in ways importantly modified by her feminist commitments.
Dominic Paterson
doaj  

The Gift of Emperor Michael, Papal Textiles with Chrysoclabas and Figurative Art in the Period of Iconoclasm

Folia Historica Cracoviensia, 2019
On Christmas of the year 811, Emperor Michael I Rhangabe solemnly crowned his elder son Theophylact in the church of Hagia Sophia. On this occasion, he offered to the cathedral numerous precious gifts, among which was a set of four curtains embroidered ...
Piotr Grotowski
doaj   +1 more source

Erving Goffman at 100: A Chameleon Seen as a Rorschach Test within a Kaleidoscope

Symbolic Interaction, Volume 49, Issue 1, Page 3-47, February 2026.
The 100th anniversary of Erving Goffman's birth was in 2022. Drawing on his work, the Goffman archives, the secondary literature, and personal experiences with him and those in his university of Chicago cohort, I reflect on some implications of his work and life, and the inseparable issues of understanding society.
Gary T. Marx
wiley   +1 more source

No Art on a Dead Planet: Political Iconoclasm as Climate Activism

Journal of Applied Philosophy, Volume 43, Issue 1, Page 215-234, February 2026.
ABSTRACT A trend has recently emerged among climate activists of attacking artworks as a means of registering protest. I analyse this mode of protest, which I term political iconoclasm, and offer a novel partial defence of political iconoclasm as a protest strategy for environmental activists. I focus on Just Stop Oil's attack on van Gogh's Sunflowers.
A. M. Hilder Jarvis
wiley   +1 more source