Results 11 to 20 of about 477 (160)

The Iconic Word: The Theological and Rhetorical Sources of a New Ut Pictura Poesis

open access: yesSillages Critiques, 2016
This article questions the Renaissance, humanist understanding of the Horatian adage, Ut Pictura Poesis, and endeavors to elucidate the specific ways in which a lyric poem can be considered as an object to be looked at. The early modern poetic production
Anne-Marie Miller-Blaise
doaj   +1 more source

‘A Timeless Grammar of Iconoclasm?’: Kristine Kolrud and Marina Prusac (eds), Iconoclasm From Antiquity to Modernity, Farnham: Ashgate, 2014 [PDF]

open access: yesJournal of Art Historiography, 2014
This review examines Kristine Kolrud and Marina Prusac’s edited volume, Iconoclasm From Antiquity to Modernity. The collection of essays covers a broad historical and methodological scope and explores the motives and discourses related to iconoclastic ...
Lauren Dudley
doaj  

Toxic Monuments and Mnemonic Regime Change

open access: yesStudies on National Movements, 2022
This article takes as its point of departure the recent wave of contestations relating to colonial-era monuments in Europe. While the toppling of monuments has long been a part of political regime change, recent attacks on monuments need to be understood
Ann Rigney
doaj   +2 more sources

Art, Trent, and Michelangelo’s “Last Judgment”

open access: yesReligions, 2012
Michelangelo’s “Last Judgment” in the Sistine Chapel is one of the world’s most famous paintings, completed in 1542. Greatly admired, it was also criticized for the frontal nudity of some of the figures.
John O'Malley
doaj   +1 more source

Le Joker au musée dans Batman de Tim Burton, ou le vandalisme artistique entre avant-garde et culture populaire

open access: yesInterfaces, 2020
This article aims to identify the aesthetic and political stakes raised by artistic vandalism as practiced by the Joker at the Flugenheim Museum in Gotham City in Tim Burton’s Batman (1989).
Pierre-Antoine Pellerin
doaj   +1 more source

Introduction. Street Art: Iconoclasm and Institutionalization [PDF]

open access: yesOcula, 2017
On the night of May 12, 2016 the street artist Blu, armed with a roller and some grey paint, set out to paint over all the works he had done in the city of Bologna.
Cinzia Bianchi, Silvia Viti
doaj   +1 more source

How Love for the Image Cast out Fear of It in Early Christianity

open access: yesReligions, 2017
Iconoclastic and iconophilic impulses have long vied for pre-eminence in Christianity, coming to one particularly fraught crisis point in the Byzantine Iconomachy of the eighth and ninth centuries.
Natalie Carnes
doaj   +1 more source

Street(icono)clashes. Blu vs. Genus Bononiae: un caso di iconoclastia urbana [PDF]

open access: yesOcula, 2017
Moving from a perspective of semiotics of culture, the article investigates the events which accompanied Banksy and Co: Art in the Urban Form, the exhibition held in the City Museum of Bologna in May 2016, with a special attention to the reaction of the ...
Francesco Mazzucchelli
doaj   +1 more source

Kenosis, Economy, Inscription

open access: yesJournal of French and Francophone Philosophy, 2013
Part of a roundtable on Julia Kristeva's The Severed Head:   Chapters Five and Six of Julia Kristeva’s The Severed ...
Elaine Miller
doaj   +1 more source

Writing about the ymage in fifteenth-century England [PDF]

open access: yesJournal of Art Historiography, 2020
Beginning in the late 14th century and continuing through the 15th century, religious reform movements in England made the use of images a matter of fierce dispute.
Marjorie Munsterberg
doaj  

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