Results 51 to 60 of about 490 (180)
Coinage of Cherson in the first half of the VIII century
The article was written to highlight the "dark age" of Byzantine Taurica history - the era of iconoclasm. Given the fact that the written sources do not contain the necessary information, and archaeological sites are still being studied, we were involved
Mikhail Choref
doaj
In today's Russian mass consciousness, there is an attitude that contemporary art, primarily Western, embarked on the path of departure from canonical images and structures in relatively recent times – about a hundred years ago.
Alexander Kashchenko / Александр Викторович Кащенко +1 more
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Abstract The Battel Hall Retable – created around the late fourteenth to early fifteenth century and once belonging to the Dominican nuns of Dartford Priory – offers a rare glimpse into the visual lives of late medieval English nuns, inviting an insight into the intersections of communal identities for these women religious.
ELIZABETH GOODWIN
wiley +1 more source
Iconoclasia, performance y la opacidad de la presencia
Iconoclasm, Performanceand The opacITyof presence.In Literature, it has been stated that the notion of per-formance is articulated together with creation of pres-ence.
RODRIGO DÍAZ CRUZ
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The Iconic Word: The Theological and Rhetorical Sources of a New Ut Pictura Poesis
This article questions the Renaissance, humanist understanding of the Horatian adage, Ut Pictura Poesis, and endeavors to elucidate the specific ways in which a lyric poem can be considered as an object to be looked at. The early modern poetic production
Anne-Marie Miller-Blaise
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Effectively Maintained Inequality in Canada Revisited
ABSTRACT The mass expansion of higher education (HE) systems during the 20th century pushed social scientists to theorize how high participation systems continued to reproduce inequalities across socio‐economic lines. One popular theory in sociology, dubbed effectively maintained inequality (EMI), suggests that families from the upper economic strata ...
Roger Pizarro Milian, David Zarifa
wiley +1 more source
The Ethics of Blindness and the Postmodern Sublime: Levinas and Lyotard
The excerpt below is the final chapter of M. Jay’s “Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought” concerning the long-term confrontment “iconoclasm vs visual imaginary” within modern European culture.
M. .. Jay, A. V. Khazina, F. V. Nicolai
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Collaborative diffusion: The dynamics of policy output in COVID‐19 interstate compacts
Abstract Interstate compacts are formal structures through which multiple states work together towards a common goal or shared agenda. Previous research on compacts focuses almost exclusively on the decision to join the compact, leaving questions on post‐formation diffusion patterns unexplored.
Isaac Pollert +4 more
wiley +1 more source
Art, Trent, and Michelangelo’s “Last Judgment”
Michelangelo’s “Last Judgment” in the Sistine Chapel is one of the world’s most famous paintings, completed in 1542. Greatly admired, it was also criticized for the frontal nudity of some of the figures.
John O'Malley
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This article aims to identify the aesthetic and political stakes raised by artistic vandalism as practiced by the Joker at the Flugenheim Museum in Gotham City in Tim Burton’s Batman (1989).
Pierre-Antoine Pellerin
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