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Thomas C Chalmers (1917-1995): a pioneer of randomised clinical trials and systematic reviews. [PDF]
J R Soc Med, 2015 Dickersin K, Chalmers F.
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The Gendered Nose and its Lack: "Medieval" Nose-Cutting and its Modern Manifestations. [PDF]
J Womens Hist, 2014 Skinner P.
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How deep is your art: An experimental study on the limits of artistic understanding in a single-task, single-modality neural network. [PDF]
PLoS OneAgha Zahedi M, Gholamrezaei N, Doboli A.
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2021
Abstract Iconoclasm is the modern name used to describe the debate about the legitimacy of portraits of Christ, Mary, and the saints in Orthodox devotional practice that began in the 720s and was resolved with the “triumph of Orthodoxy” in 843. It had an impact on Byzantine culture in two fundamental ways. First, it sealed the importance
Scott A. Chamberlin, Eric L. Mann
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Abstract Iconoclasm is the modern name used to describe the debate about the legitimacy of portraits of Christ, Mary, and the saints in Orthodox devotional practice that began in the 720s and was resolved with the “triumph of Orthodoxy” in 843. It had an impact on Byzantine culture in two fundamental ways. First, it sealed the importance
Scott A. Chamberlin, Eric L. Mann
+4 more sources
1992
Abstract Iconoclasm, literally the smashing of images, is the term designating the movement that forbade the making or veneration of images, whether of God or of saints. The opposite position we usually call Iconoduly, although that word is not attested in Greek.
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Abstract Iconoclasm, literally the smashing of images, is the term designating the movement that forbade the making or veneration of images, whether of God or of saints. The opposite position we usually call Iconoduly, although that word is not attested in Greek.
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2014
Abstract Understanding iconoclasm simply as the breaking of images fails to adequately address why reformers of all eras have sought to decapitate, maim, and otherwise erase sacred art. This chapter takes a long view of iconoclasm as the active interrogation of objects by objects—through case studies from ancient, medieval, and ...
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Abstract Understanding iconoclasm simply as the breaking of images fails to adequately address why reformers of all eras have sought to decapitate, maim, and otherwise erase sacred art. This chapter takes a long view of iconoclasm as the active interrogation of objects by objects—through case studies from ancient, medieval, and ...
openaire +1 more source