Results 151 to 160 of about 3,106 (179)
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Bulletin of the Russian Medieval Art Department
The article attempts to recreate, based on fragmentary information from archival sources, the history of the construction of the Descent of the Holy Spirit Church in the Novodevichy Monastery and its pre-altarpiece iconostasis in the 17th century.
M.Yu. Goryacheva, M.V. Nikolaeva
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The article attempts to recreate, based on fragmentary information from archival sources, the history of the construction of the Descent of the Holy Spirit Church in the Novodevichy Monastery and its pre-altarpiece iconostasis in the 17th century.
M.Yu. Goryacheva, M.V. Nikolaeva
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The Iconostasis of the Peter and Paul Cathedral in St. Petersburg. The Issue of Iconographic Source
Art Studies JournalThe author suggests Historische Bilder-Bibel, an engraved Bible by the Augsburg artist and publisher Johann Ulrich Kraus, which is still unknown in historiography, as an iconographic source for the iconostasis of the Peter and Paul Cathedral. The article
Maria Vlasova
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ARTISTIC FEATURES OF THE ICONOSTASIS IN THE BLESSED VIRGIN MOTHER CHURCH OF THE CATHEDRAL IN REMENIV
Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ ArhìtekturaUkrainian iconostases of the early 20th century of the Galician region, preserved in their authentic form to this day, are of interest to art historians and scientists.
Lesia Chen, Yaroslav Rakochyi
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Bulletin of the Russian Medieval Art Department
The widest range of monuments of the 15th-16th centuries - panagias, liturgical covers, Gospel frames - demonstrate the special interest of the epoch to the theme of "The Mother of God of the Incarnation".
T.E. Samoylova
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The widest range of monuments of the 15th-16th centuries - panagias, liturgical covers, Gospel frames - demonstrate the special interest of the epoch to the theme of "The Mother of God of the Incarnation".
T.E. Samoylova
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Balkanologie
Transylvania was at the confluence of various forms of artistic expression of the Orthodox confession. In the eighteenth century, artistic trends came both by the old routes – from the Polish-Lithuanian Commonwealth and across Habsburg Galicia ...
Ana Dumitran +3 more
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Transylvania was at the confluence of various forms of artistic expression of the Orthodox confession. In the eighteenth century, artistic trends came both by the old routes – from the Polish-Lithuanian Commonwealth and across Habsburg Galicia ...
Ana Dumitran +3 more
semanticscholar +1 more source
Bulletin of the Russian Medieval Art Department
The article attempts to show, based on published historical evidence and archival sources, the history of a unique architectural monument – the Church of the Assumption of the Mother of God in Kotelniki on Pokrovka – in the 17th -18th centuries.
M.Yu. Goryacheva, M.V. Nikolaeva
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The article attempts to show, based on published historical evidence and archival sources, the history of a unique architectural monument – the Church of the Assumption of the Mother of God in Kotelniki on Pokrovka – in the 17th -18th centuries.
M.Yu. Goryacheva, M.V. Nikolaeva
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Сохранение культурного наследия. Изобразительные искусства. Исследования и реставрация. Материалы V Международной научно-практической конференции
В статье автор описывает ход работы над научной реконструкцией утраченных икон цокольного ряда Апостольского иконостаса Смоленского собора Новодевичьего монастыря.
С.Е. Маринкович (Шпаковская)
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В статье автор описывает ход работы над научной реконструкцией утраченных икон цокольного ряда Апостольского иконостаса Смоленского собора Новодевичьего монастыря.
С.Е. Маринкович (Шпаковская)
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The Middle Byzantine Sanctuary Barrier: Templon or Iconostasis?
Journal of the British Archaeological Association, 1981(1981). The Middle Byzantine Sanctuary Barrier: Templon or Iconostasis? Journal of the British Archaeological Association: Vol. 134, No. 1, pp. 1-28.
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Archaeometric investigation of pigments of the iconostasis from Saint Georgios church of Sohos
Journal of Archaeological Science: Reports, 2023M. Tsiapali +7 more
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