“Antique icons” in the collection of the Intercession Old Believers’ Church in Serpukhov
The article is devoted to an overview to the monuments of the 19th — early 20th centuries from the collection of the Old Believers’ Intercession Church in Serpukhov. Along with the ancient icons this collection also includes quite numerous of late works,
Ivan A. Volkov
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Establishing the Authorship of Two Wooden Icons From the Museikon Collection, Alba Iulia
This study sought to obtain information regarding the authorship of two old wooden icons from the “Museikon” collection, a museum dedicated to icons located in the historical city of Alba Iulia. The stylistic and theological analyses indicated a possible author; to support this hypothesis, nondestructive physicochemical investigations were carried out,
Olivia Florena Nemeș +8 more
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Evoking Eternity: Orthodox Co‐Presence in Post‐Yugoslav Central Serbia
ABSTRACT This article approaches the idea of eternity ethnographically. Specifically it turns to post‐Yugoslav central Serbia and the version of eternity (večnost) evoked by practicing Orthodox Christians in their daily lives. In this context, the eternal does not imply the everlastingness of persons and things in this life, or an inevitable cyclical ...
NICHOLAS LACKENBY
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PLAFOND PAINTING IN THE CHAPEL OF THE CATHERINE PALACE, TSARSKOYE SELO
The Chapel of the Resurrection of Christ is an example of the mid-18th century baroque church combining two traditions – Western European and Russian, which is manifest in the decor of the church interiors, plots and stylistics of religious painting. The
Korshunova Natalya G.
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A Spatial Iconographic Program of Ukrainian Baroque Iconostasis
The purpose of this article is analysis of the iconographic programs of iconostasis created in the Baroque period in the main church complexes of Ukraine - St. Sophia of Kyiv and Kyiv Pechersk monastery. It found that the iconostasis of the side altars of St.
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Caspar Luyken’s illustrated bible among the Serbs and Bulgarians in the eighteenth and nineteenth centuries [PDF]
The engraving of the Finding of Moses from Caspar Luyken’s Amsterdam (1694) and Nuremberg (1708) bibles served as a model for Teodor Kračun’s painting for the small iconostasis of the Orthodox cathedral in Sremski Karlovci (1780), for the Viennese ...
Stošić Ljiljana
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St Demetrios church in Mitrova Reka [PDF]
The St Demetrios church in Mitrova Reka near Novi Pazar was the most probably erected at the end of the 16th century. It was renewed in 1853 due to the activity of the local community and priests.
Ženarju Ivana S.
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Contributions to the study of the images of hierarchs in the catholicon of Studenica Monastery [PDF]
The paper is devoted to selected images of the saint hierarchs in the Church of the Virgin in Studenica Monastery. The attention is first of all focused on the figures of four bishops who were partially covered by the high iconostasis from the ...
Živković Miloš
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From Petersburg to Shipka via Mount Athos: Slavic Saints on the Shipka Iconostasis
From Petersburg to Shipka via Mount Athos: Slavic Saints on the Shipka Iconostasis The article explores the images of Slavic saints on the iconostasis of the Russian Memorial Church in the town of Shipka in Bulgaria, which were completed in 1899–1901 ...
Ivanka Gergova
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DESIGNING AN ICONOSTASIS OF AN ORTHODOX CHURCH
In modern design, non-standard approach is encouraged and there are many unique design solutions. Here however, another approach will be considered which pertains to certain standards – canons – in design. An individual iconostasis project was developed for the needs of the Orthodox Church, in accordance with all the canons and meeting the requirements
Asparuh Atanasov, Aleksandrina Bankova
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