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Identity and self-esteem in the context of music and music therapy: a review [PDF]
Health Psychology Report, 2017 Participation in music therapy offers opportunities for the participants to engage in identity work – to define, develop, or reflect on their understanding of themselves, and to cultivate new expressions of self-identity.
Rafał Lawendowski, Łucja Bieleninik
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Networking Knowledge: Journal of the MeCCSA Postgraduate Network, 2007 This article explores a feature of listeners’ everyday interactions with popular music: the tendency to take vicarious pleasure in the production of such music by singing along, or miming the actions of the guitarist or drummer. Acts of mimicry such as these are examined via a consideration of the concepts of mimesis, catharsis, and – perhaps more ...
Gerry Moorey
openaire +4 more sources
Popular music, psychogeography, place identity and tourism: The case of Sheffield [PDF]
, 2013 Tourism and cultural agencies in some English provincial cities are promoting their popular music ‘heritage’ and, in some cases, contemporary musicians through the packaging of trails, sites, ‘iconic’ venues and festivals.
Philip E. Long
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Politics, Identity and Jamaican Music
Caribbean Quilt, 2022 Music in Jamaica has a long history that is very much intertwined with religious, social, and political factors. As the development of reggae music grew, it became increasingly popular in relation to politics and social issues. This research examines
Rachelle Sanicharan
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Frontiers in Psychology, 2023 This study aims to explore the influence of national music lessons on university students’ subjective well-being, self-esteem, and national identity. A Chinese university provided four national music courses spanning 8 weeks.
Hongyu Fu, Jinmei Tu
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Creative ethnicity: music as an element of ethnicity among Polish Tatars
Creativity Studies, 2021 The aim of this article is to analyse the role of ethnic music in the life of the Tatar minority in Poland as an example of creative ethnicity. On the one hand, modern Tatar musical practices construct an interesting example of “invented tradition ...
Urszula Abłażewicz-Górnicka +1 more
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Etnoantropološki Problemi, 2020 The aim of the present study lies in an effort of converging anthropological, ethnomusicological and psychological approach to the relationship between music and collective identity.
Ana Đorđević
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Reflections of Ara Dinkjian’s Musical Identity onto His Works in Popular Turkish Music
Konservatoryum, 2022 This study examines 20 musical pieces belonging to Ara Dinkjian, an Armenian composer in America living in the Armenian American diaspora, that were added to the Popular Turkish Music repertoire from the 1980s to the present along the axis of his musical
Ali Önal, Esra Berkman
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Cross-cultural Mood Perception in Pop Songs and its Alignment with Mood Detection Algorithms [PDF]
Proceedings of the 22nd International Society for Music
Information Retrieval Conference, Nov. 2021, pp. 366-373, 2021 Do people from different cultural backgrounds perceive the mood in music the same way? How closely do human ratings across different cultures approximate automatic mood detection algorithms that are often trained on corpora of predominantly Western popular music? Analyzing 166 participants responses from Brazil, South Korea, and the US, we examined the
arxiv +1 more source
Rap jako muzyka tożsamościowa: od czarnego getta do polskiego pop-nacjonalizmu
Sprawy Narodowościowe. Seria nowa, 2016 Rap as identity music: from the black ghetto to Polish pop-nationalism In today’s world, cultural products, technologies, information and ideologies more and more permeate from one society to another, crossing all kinds of borders in the least expected
Piotr Majewski
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