Results 21 to 30 of about 2,611,079 (299)
The Aesthetic Self. The Importance of Aesthetic Taste in Music and Art for Our Perceived Identity
To what extent do aesthetic taste and our interest in the arts constitute who we are? In this paper, we present a series of empirical findings that suggest an Aesthetic Self Effect supporting the claim that our aesthetic engagements are a central ...
Joerg Fingerhut +3 more
semanticscholar +1 more source
This study aims to explore the influence of national music lessons on university students’ subjective well-being, self-esteem, and national identity. A Chinese university provided four national music courses spanning 8 weeks.
Hongyu Fu, Jinmei Tu
doaj +1 more source
Creative ethnicity: music as an element of ethnicity among Polish Tatars
The aim of this article is to analyse the role of ethnic music in the life of the Tatar minority in Poland as an example of creative ethnicity. On the one hand, modern Tatar musical practices construct an interesting example of “invented tradition ...
Urszula Abłażewicz-Górnicka +1 more
doaj +1 more source
A lifelong perspective for growing music teacher identity
The article discusses a lifelong perspective for growing music teacher identity, particularly related to the in-service development of music teachers.
S. Chua, G. Welch
semanticscholar +1 more source
The aim of the present study lies in an effort of converging anthropological, ethnomusicological and psychological approach to the relationship between music and collective identity.
Ana Đorđević
doaj +1 more source
Rap jako muzyka tożsamościowa: od czarnego getta do polskiego pop-nacjonalizmu
Rap as identity music: from the black ghetto to Polish pop-nationalism In today’s world, cultural products, technologies, information and ideologies more and more permeate from one society to another, crossing all kinds of borders in the least expected
Piotr Majewski
doaj +1 more source
Reflections of Ara Dinkjian’s Musical Identity onto His Works in Popular Turkish Music
This study examines 20 musical pieces belonging to Ara Dinkjian, an Armenian composer in America living in the Armenian American diaspora, that were added to the Popular Turkish Music repertoire from the 1980s to the present along the axis of his musical
Ali Önal, Esra Berkman
doaj +1 more source
The Formation of Musical Identity [PDF]
One of the most important cultural changes in the 20th century was the rise of identity as a fundamental value. Therefore, it is also important to know how musicians identify themselves in music. The purpose of the study was to ascertain how students training as music teachers (school music pedagogy and interpretation pedagogy) at Estonian Academy of ...
Kadri Põder, Kristi Kiilu
openaire +1 more source
Embracing identity: An examination of non-Western music education practices in British Columbia [PDF]
Although traditional music programs and university music and music education training programs have mostly incorporated Western classical music, British Columbia’s new curriculum signifies a shift from the Western classical framework to one that is more ...
Beth Tuinstra
openalex +2 more sources
This article presents the Let's talk music model, in which people from different cultural backgrounds work in a group setting to address and resolve cultural and identity conflicts. The model is based on musical activities and the goal of this article is
Avi Gilboa
doaj +1 more source

