Results 21 to 30 of about 21,331 (213)
CMES (Center of Middle Eastern Studies), 2017 The aims of this research are: (1) To describe the phenomenon of metal music in Saudi Arabia in the range of 1995-2010. (2) To explain the factors of metal music infiltration to Saudi Arabia.
Rifki Nur Rahmat
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Mimicry and Hybridity of “Congrock Musik 17” in Semarang
Harmonia: Journal of Arts Research and Education, 2020 Keroncong, a slow and crooning music, serves as the art and culture that reflects Indonesian identities. This music style still exists today, particularly in Semarang that is widely known as an urban area.
Sunarto Sunarto +2 more
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Performances Compared. Sequential replication of the same music piece on an audiovisual file
Aisthesis, 2016 In this paper I will address some theories of Roman Ingarden and Walter Benjamin in the light of the new reproductive technologies for streaming music.
Giorgio Armato
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Revista Eletrônica de Enfermagem, 2014 This phenomenological study was structured on Heidegger’s theoretical-philosophical framework, with the objective of unveiling the significances and meanings of the musical identity of patients and relatives under oncological palliative care.
Vladimir Araujo de Silva +2 more
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Musical Expression of Islamic Identity: The Syncretism of Blangikhan Ritual in Lampung
IBDA': Jurnal Kebudayaan IslamThe Blangikhan ritual underscores the significance of dignity within Lampung's culture, where the community is renowned for its hospitality and compassion towards one another. Blangikhan is a celebration and reflects community values, norms, and beliefs.
Citra Aryandari, Delsi Chaniago
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Brand identity generation by using music in advertising Águila, Club Colombia and Pilsen beers
RHS Revista Humanismo y Sociedad, 2015 In this paper, we explore whether music as a sensorial marketing tool used by beer brands in Medellin, such as Pilsen, Águila and Club Colombia, produces memory recall and brand identity in people between 25 and 40 years old.
Andrés Felipe Alzate Ortiz +1 more
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Muziek en natievorming in België: het muziekleven te Brussel 1830-1850
BMGN: Low Countries Historical Review, 2006 Koen Buyens, Music and nation building in Belgium The article examines the Brussels music scene (1830-1850) in relation to the efforts made at the time with regard to nation building after the Belgian Revolution of 1830.
K. Buyens
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Voices, 2014 In August 2013, the Centre for Music and Health published its first anthology in English - ‘Musical Life Stories’. In the Anthology, 17 authors from 6 countries present their research on the influence of music in a lifelong health perspective.
Lars Ole Bonde
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, 2021 Terry Eagleton perfectly stated the most fundamental lesson about identity when he penned the line: ‘Nothing ever happens twice, precisely because it has happened once already.’1 In other words, a second iteration of an event is always different to a first occurrence, and changes in context, temporal or spatial, reconfigure the meanings of objects and ...
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Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura, 2021 The music media have constructed the identity of groupies as sexual and passive objects, submissive, inauthentic consumers of music. The stereotype, although still present in popular culture, is criticized by both the interested parties and rock artists.
Karolina Karbownik
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