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Music and collective identities [PDF]
Muzikologija, 2007 This paper presents some introductory observations on the ways in which the opposition between the modern and post-modern understanding of social identities can be overcome in the context of musicology. It is based on the consideration of identities as dynamic and changeable categories, as well as on the importance of the relation between individual ...
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Choral music and identities in Tanzania
Trio, 2023 In her doctoral research, Lampinen explored the connection between choral repertoiresand identities within church choirs in one Lutheran Diocese in Northern Tanzania. The participantsin this research were a group of choir conductors in this diocese. The concept ofidentities was approached from individual, social, and group aspects as well as religious ...
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SOCIOKULTUROLOŠKI KONTEKST MUZIKE
Accelerando: BJMD, 2019 In this article music is regarded as one of the means of communication. The author approaches to music as a medium through which humans develop their skills, views, personal preferences, physical and mental abilities, as well as social skills.
Maja Marijan
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The Influence of Music on Interethnic Relations of Sarajevo and Mostar’s Inhabitants
Etnoantropološki Problemi, 2021 Music and musical forms represent unfailing part of every human society and culture. Music can bond people and their communities, as it can be "in the service" of creating and transforming identities, e.g. ethnic, regional and local.
Bogdan Dražeta, Zorana Guja
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Current Musicology, 2010 In Postnational Musical Identities, Ignacio Corona and Alejandro Madrid bring together twelve scholars working with (primarily) popular music in (primarily) Mexico and Latin America to consider the relationship between music, identity, and globalization.
Shannon Garland
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VoicesResearch on the health and well-being benefits of participating in music therapy initiatives such as group singing and drumming is steadily increasing.
Edel Coughlan
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Nordestinidade: identidade e machismo no forró pé de serra e no forró eletrônico
Galáxia, 2015 Northeasterness: identity and male chauvinism in forró pé de serra and in electronic forró. In No Ceará não tem disso não: nordestinidade e macheza no forró contemporâneo, Felipe Trotta analyses the discourse of traditional forró music and electronic ...
Micheliny Verunschk
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, 2014 InterDisciplines. Journal of History and Sociology, Vol 5 No 1 (2014): Identities in media and music.
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¿El declive del significado social de la música?
Revista Crítica de Ciências Sociais, 2016 Are we witnessing a decline in the social significance of music? On one hand, technological innovations, especially digitalization, have changed social forms of accessing music, with the increasing importance of individual modes that do not require the ...
Ion Andoni del Amo +2 more
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Music of the Tabom: An Emblem of Identity [PDF]
Humanities, 2019 This paper discusses how music functions as an emblem of identity for the Afro-Brazilian community in Accra, Ghana, known as the Tabom. The paper provides a contextual and analytical study of the complete musical enactment as practiced by this community, and argues, that the Tabom musical genre, known as Agbe, serves the purpose of creating and ...
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