Results 181 to 190 of about 3,884 (295)

The Pictures and the Frame: Banknote Iconography and Bottom‐Up Nationalism in Pre‐ and Post‐Revolutionary Tunisia

open access: yesNations and Nationalism, EarlyView.
ABSTRACT ‘Bottom‐up nationalism’—the belief that the nation is of the people, by the people and for the people—can serve as a powerful collective action frame for mass mobilization. We study the evolution of Tunisian dinar banknote iconography as an indicator of the institutionalization of bottom‐up nationalism before and after the Jasmine Revolution ...
Jacques E. C. Hymans, Chloe Bernadaux
wiley   +1 more source

\u3ci\u3eThe Idolatry of Might\u3c/i\u3e

open access: yes, 1993
Prentice Avery Meador, Jr.\u27s sermon, The Idolatry of Might. This sermon on Nahum 3:1-7 was preached Sunday evening, 7 November 1993, at Prestoncrest Church of Christ in Dallas ...
Meador, Prentice Avery, Jr.
core  

A New Concept of “Kim Jong Un Partizan” Discourse and Authoritarian Durability in North Korea

open access: yesPacific Focus, EarlyView.
ABSTRACT How does the North Korean regime secure elite loyalty without institutional transparency or material redistribution? While existing studies have examined the use of Partizan narratives under Kim Il Sung and Kim Jong Il, this paper argues that Kim Jong Un introduces a significant discursive shift: the invention of “Kim Jong Un Partizans.” This ...
Sohee Hwang
wiley   +1 more source

The messy coloniality of gender and development in Indigenous Wixárika communities. [PDF]

open access: yesGend Dev, 2023
Villagrana PU   +2 more
europepmc   +1 more source

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

open access: yesRenaissance Studies, EarlyView.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source

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