Persian Historiography and Political Legitimacy in the Seljuks of Anatolia: The Significance of al-Walad al-Shafīq by Ahmad Niğdeī [PDF]
تاریخ نگری و تاریخ نگاریThe unique and unpublished manuscript of the fourteenth-century Persian work known as al-Walad al-Shafīq, preserved in the Süleymaniye Library in Istanbul, has not yet been studied independently or systematically, despite its importance as a source for ...
Nasrin Mohammadi
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The Structure of the Homes in Iranian Paintings: Investigating the Characteristics of the Representation of the Interior of Homes in Iranian Paintings from th 13th- 17th Centuries AD (the 7th – 11th Centuries AH) [PDF]
نگرهIn terms of the problem statement, the Azari style of painting stands out as a remarkable artistic expression in the rich tapestry of Iranian culture.
Arezoo Tavakoli Ariyan +2 more
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Jilvah-i hunar, 2016 Abstract Mythology in ancient Iran has always brought different meanings; however some of these myths such as lion and bull have a special position in beliefs of Iranians and they were well remembered by people of this land. The purpose of this paper is to study the specific position of these myths in illustrations of Kalila and Dimna manuscripts and ...
jalaledin soltankashefi +1 more
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Historical Assessment and Technical and Artistic Study of Imamzadeh Mahrouq Wooden Box in Neishabour City and the Door of the Tomb of the Qotbuddin Heidar Zaveyi in Torbat Heidarieh City [PDF]
نگرهGreat Khorasan took many cities from Ghaznin to Bastam and from Amoy to Sistan. The two cities of Zaveh and Neishabour, in which the works studied in this essay are based, were also very prosperous during that time.
Samira Khaksari, Alireza Sheikhi
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Typology of Sultanabad Pottery Bowls of the Ilkhanid Era through the Analysis and Comparison of Shapes of the Bodies and Decorations [PDF]
نگره, 2014 In the year of the Hegira 617, Mongols, continuing their conquests, reached Iran and brought massive destructions. Many main pottery centers of Iran were destroyed and never regained their past glory.
Hamid Reza Rohani
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Erzurum in The Ilkhanid Period
Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi, 2016 Erzurum and its environs have been one of the settlement centers of human beings since the prehistoric age and have become strategically very important in the Middle Ages with attempts to conquer them by powerful states in the region.
Firdevs ÖZEN
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A research on the Production Techniques and Themes of Mosul School of Metalwork Case study: the box and candlesticks of Badr al-Din Lu'lu [PDF]
نگره, 2014 Traditional arts following the advent of Islam and the expansion of its scope were maintained in the Islamic world with a view influenced by this religion.
Mohammad Afrough, Afsaneh ghani
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Horasan İrfanını Anadolu’ya Ulaştıran Kaynak Eserlerden Menâkıb-ı Şeyh Zâhid-i Geylânî
Tasavvuf Araştırmaları Enstitüsü DergisiOne of the prominent figures of Islamic mysticism (sufism) in the 13th century was Sheikh Tajaddīn Ibrāhim Zāhed Gilānī. His ancestors migrated from Khorasan (from Merv area of the modern Turkmanistan) to Lankaran district of Azerbaijan. He was initiated
Namiq Musalı
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Technical and Comparative Study Monochrome Turquoise Nare Tile of the Ilkhanid and Safavid Eras (Case Study: Soltanieh Dome and Sheikh Safi Al-Din Ardabili's Shrine) [PDF]
Journal of Research on Archaeometry, 2020 openaire +1 more source
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Abstract This paper presents the typology and classification of tile craftsmanship from the Ilkhanid and their successor periods, based on the monuments of the Ilkhanid and their successors in Iran, as well as their decorations. It specifies which types of tiles were common in this period and where they can be found today.
Ahmad Salehi Kakhki
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