Results 171 to 180 of about 75,940 (223)
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Imagination, Cognition and Personality, 1995
Many contemporary emotion theorists have recognized the importance of the imagery as conscious cognitive component of emotional experience. The aim of this work was to analyze some formal characteristics and contents of the figural representation of six basic emotional categories: fear, sadness, anger, cheerfulness, surprise, happiness. Thirty subjects
IACHINI, Santa, GIUSBERTI F, CICOGNA P.
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Many contemporary emotion theorists have recognized the importance of the imagery as conscious cognitive component of emotional experience. The aim of this work was to analyze some formal characteristics and contents of the figural representation of six basic emotional categories: fear, sadness, anger, cheerfulness, surprise, happiness. Thirty subjects
IACHINI, Santa, GIUSBERTI F, CICOGNA P.
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Experimental Aging Research, 1977
Two studies were conducted to investigate the use of imagery by subjects of different ages. Experiment 1 was designed to test the effectiveness of "peg-word" system as a memory aid for the elderly. Variables believed to be important in the effectiveness of mnemonic devices were manipulated.
S E, Mason, A D, Smith
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Two studies were conducted to investigate the use of imagery by subjects of different ages. Experiment 1 was designed to test the effectiveness of "peg-word" system as a memory aid for the elderly. Variables believed to be important in the effectiveness of mnemonic devices were manipulated.
S E, Mason, A D, Smith
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Gestural Imagery in the Service of Musical Imagery
2004There seem to be strong links between gestural imagery and musical imagery, and it is suggested that gestural imagery can be instrumental in triggering and sustaining mental images of musical sound. Gestural images are seen as integral to most experiences of music, and several practical and theoretical musical disciplines could profit from focusing on ...
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2021
This chapter advocates for a broader use of anthropological theory for the study of pre-Columbian imagery. The theoretical framework of object itineraries is used to investigate the circulation, transformation, and consequentiality of Spiro Engraved vessels across the Caddo landscape.
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This chapter advocates for a broader use of anthropological theory for the study of pre-Columbian imagery. The theoretical framework of object itineraries is used to investigate the circulation, transformation, and consequentiality of Spiro Engraved vessels across the Caddo landscape.
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TYPES OF IMAGERY AND IMAGERY TYPES: AN EEG STUDY
British Journal of Psychology, 1972The occipital EEG of subjects differing in reported vividness of mental imagery was monitored during a series of mental imagery tasks. (i) Vivid imagers (selected on the basis of the Betts Vividness of Imagery Scale) had a higher mean dominant alpha frequency (m.d.f.) than weak imagers ( P ...
A, Gale +3 more
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Motor imagery: The relation between age and imagery capacity
Human Movement Science, 2007The imagination of motor actions forms not only a theoretical challenge for cognitive neuroscience but may also be seen as a novel therapeutic tool in neurological rehabilitation, in that it can be used for relearning motor control after damage to the motor system.
Mulder, Th. +3 more
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Child Development, 1976
Children's drawings of objects about to be moved in space (anticipatory images) were studied in relation to their judgments about Euclidean spatial relations. Tasks assessing Euclidean geometric operations were administered to 102 girsl between the ages of 4 and 13 years.
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Children's drawings of objects about to be moved in space (anticipatory images) were studied in relation to their judgments about Euclidean spatial relations. Tasks assessing Euclidean geometric operations were administered to 102 girsl between the ages of 4 and 13 years.
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Controllability of Motor Imagery and Transformation of Visual Imagery
Perceptual and Motor Skills, 1994This study examined the relation between control of motor imagery and generation and transformation of visual imagery by testing 54 subjects. We used two measures of the Controllability of Motor Imagery test to evaluate the ability to control motor imagery.
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