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Impermanence

2012
exaly   +2 more sources

‘Impermanence’

Buddhist Studies Review, 2020
The Udanavarga is a grand compendium of Buddhist verse, compiled by a Dharmatrata about whom we know next to nothing. In Sarvastivadin and Mulasarvastivadin circles the Udanavarga was as popular as is the Dhammapada in Theravadin circles, and it circulated widely in South and Central Asia.
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Permanent Impermanence

Contexts, 2010
I was standing on the helipad of a new, swanky highrise apartment building in the Dubai Marina with my friend Vishul in the summer of 2006. We took in the panoramic, nighttime view of skyscrapers in the making, each capped with cranes lit red and white like so many giant Transformer action figures. Vishul, who'd grown up in Dubai, turned three hundred
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Moving into impermanence

Journal of Curriculum and Pedagogy, 2020
“Impermanence is the essence of everything.” – Pema Chodron Our last editorial, written in February 2020, feels distant.
Erin T. Miller, Samuel J. Tanner
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Reputation and impermanent types [PDF]

open access: possibleGames and Economic Behavior, 2008
zbMATH Open Web Interface contents unavailable due to conflicting licenses.
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Borders and Impermanence

2022
In this chapter, Michelsen and Bolt argue that the map of state seeks to hide from view the networks and flows of movement and energy that have always characterized human interaction and cut across the sovereign state system. When conventional, lightly manned borders fail to check the progress of population dynamics, trenches, razor wire, and breeze ...
Nicholas Michelsen, Neville Bolt
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Impermanence: Elemental Forces

2020
This chapter examines how the three sets of alliances of fire, plants and people break down the perceived dominance of human agency in the Anthropocene. Humans have been a catalyst for change. We have harnessed and consumed (like fire) but we have not done it alone.
Christine Eriksen, Susan Ballard
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Impermanence: A curator's viewpoint

Museum Management and Curatorship, 1983
It has been said, with justice, of philosophers that there is no notion so ridiculous that it has never been put forward by a philosopher, and surely it must be true that there is no material or technique so impermanent that it has never been used by an artist to create a work of art.
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