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Impressionism and the Modern Vision: Master Paintings from the Phillips Collection
, 1981 Photograph of an adult tour of the exhibition "Impressionism and the Modern Vision: Master Paintings from the Phillips Collection," November 22, 1981-February 14, 1982, held at the Dallas Museum of Fine ...
Dallas Museum of Fine Arts
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RAVEL ON (HIS) IMPRESSIONISM [PDF]
Studia Universitatis Babeş-Bolyai. Musica, 2017 Though Ravel usually avoided to include himself into aesthetic trends, his statements regarding musical works, composers or schools of the past and also of his time demonstrate that he had a quite clear view of the contemporary art.
Attila FODOR
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A Comparative Analysis of the Poems of Sohrab Sepehri and Paul Verlain regarding Impressionism [PDF]
ادبیات تطبیقی, 2021 1. Introduction Impressionism, which is a subcategory of Modernism, is not just a school in painting but also a modern approach to the art and to the life, which associates the points of views of the phenomenology philosophers of the late 19th century ...
Zahra Khatami Kashani
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On Osip Mandelstam’s Poem “Impressionism” [PDF]
Studia Litterarum, 2021 This article focuses on Osip Mandelstam’s poem “Impressionism”. The main objective of this work is to analyze the key motifs and images of the poem and to offer an integral, non-contradictory reading of the poem based on its immediate context as well as ...
Irina Z. Surat
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An Impressionist-Existentialist Study of "Station" by Tahereh Alavi and "the Only One" and "Meet" by Abdul Hamid Al-Gharbawi [PDF]
مطالعات بینرشتهای ادبیات، هنر و علوم انسانی, 2023 Impressionism and existentialism are both schools of thought that consider the human and his/her existence as the center of the universe. In Impressionism, it is the individual who, as the creator and recorder of a moment, immortalizes it because he/ she
Narjes Tohidifar, Reza Nazemian
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SCRIABIN AND KODÁLY IN THE READING OF ANTAL MOLNÁR, IMRE MOLNÁR AND EMIL HARASZTI [PDF]
Studia Universitatis Babeş-Bolyai. Musica, 2023 This study examines how Kodály, his student Antal Molnár and his colleague Imre Molnár, and their adversary Emil Haraszti saw Scriabin’s music throughout the first half of the twentieth century.
Ákos WINDHAGER
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The Flickering Philosophy of Impressionism: a Literary-Critical Perspective
Journal of Vasyl Stefanyk Precarpathian National University, 2020 The article discusses the attitudinal and philosophical premises of impressionism as a literary movement. The author explores the causes of difficulties associated with identifying literary works as impressionistic.
Roman Golod
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Une fiction objective : John Rewald et l’invention de la fin de l’impressionnisme
Perspective, 2022 Looking at the invention of the “end” of Impressionism raises the question of the writing of history and its fictional base. John Rewald’s History of Impressionism (1946) is especially representative of this paradox of historical discourse because it is ...
Olivier Schuwer
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Valentina Brâncoveanu – the word of the romanian, each with his own story [PDF]
Dialogica: Revistă de Studii Culturale și Literatură, 2021 Valentina Brâncoveanu is an outstanding painter from Republic of Moldova. The artist is known by her famous works dedicated to the old city of Chișinău, she painted the beauty of the nature with colors specific to the painted season. She uses warm colors
Ana GOBJILA
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Impressionism in Serbian Music
Studia Universitatis Babeş-Bolyai. Musica, 2023 Musical Impressionism is one of the currents that reflected the anti-romantic discourse of the beginning of the 20th century, having a resonance only in the French cultural space - where the preference for suggestion, for deliberately imprecise tone and
Virđinia TOTAN, Petruța Maria COROIU
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