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The Incantation-Hymn: Incantation or Hymn?
Journal of the American Oriental Society, 1975The genre title sirnamSub(ba), 'incantation-hymn', for a small body of Sumerian hymns has been a source of puzzlement, since the content of these works in no way refers to evil demons or the gods of Eridu, those deities involved with the casting of spells.
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Callaloo, 2005
AbstractThis chapter analyzes European cultural attitudes toward African people and African religions, especially during the 18th and 19th centuries. It assesses in greater depth the standard European planter and missionary responses to Obeah and Myal.
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AbstractThis chapter analyzes European cultural attitudes toward African people and African religions, especially during the 18th and 19th centuries. It assesses in greater depth the standard European planter and missionary responses to Obeah and Myal.
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2021
The unique experience of life is a succession of events. All of them are important, because we are mortal. So, time is tragical. But time doesn't exist. His dizzying absence brings us back to our condition. His permanent presence in all of us compels to search for meaning, in a rational and absurd way at the same time.
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The unique experience of life is a succession of events. All of them are important, because we are mortal. So, time is tragical. But time doesn't exist. His dizzying absence brings us back to our condition. His permanent presence in all of us compels to search for meaning, in a rational and absurd way at the same time.
openaire +1 more source
Public
INCANTATIONS is a collection of sixteen visual and sonic experiments centred around the idea of score as spell. The project was curated and produced for The Witch Institute in 2021 by Brandon Hocura and Naomi Okabe, who together run the record label Séance Centre.
Brandon Hocura, Naomi Okabe
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INCANTATIONS is a collection of sixteen visual and sonic experiments centred around the idea of score as spell. The project was curated and produced for The Witch Institute in 2021 by Brandon Hocura and Naomi Okabe, who together run the record label Séance Centre.
Brandon Hocura, Naomi Okabe
openaire +1 more source
Re-interpreting Yoruba incantation: an example of Fryean apocalyptic and demonic imagery
AlterNative, 2022Adewuyi Aremu Ayodeji
exaly
Academic ‘ethics’ and the Schøyen Collection Aramaic incantation bowls: a personal narrative
Levant, 2023Neil Brodie
exaly