Results 21 to 30 of about 179,923 (276)
Facing the Indigenous ‘Other’: Culturally Responsive Research and Pedagogy in Music Education
The Australian Journal of Indigenous Education, 2016 This narrative article is based on an analysis of 61 documents, mostly articles, of which 37 were peer-reviewed, including research studies, reviews, conceptual research and narratives of practice. Review findings are reported with specific reference to
Terry Locke, Lauren Prentice
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Advancing indigenous church music [PDF]
African Music: Journal of the African Music Society, 1968 The number of publications on the use of indigenous music in Christian worship is increasing with every year. The writers are mainly missionaries or indigenous ministers of religion; but also well-known ethnomusicologists, such as, Kunst, Jones, and Nketia have written on this subject.
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Beyond Translated vs. Indigenous: Turkish Protestant Christian Hymnody as Global and Local Identity
Religions, 2021 At Turkey’s first national worship conferences in 2011, a passionate debate arose on whether Western music or indigenous Turkish music was most appropriate for worship.
Jeremy Perigo
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Voices, 2016 This article provides an account of the response to the modern postcolonial prerogative in intercultural music research from a particular perspective and field: that of a non-Indigenous Australian ethnomusicologist (the author) who conducts research on ...
Sally Treloyn
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Yoruba Indigenous Music as Alternative Tool for Child Education
Yoruba Studies ReviewSince music is a component of culture, it is essential to education. The importance of Yoruba traditional music in their education cannot be overstated, since the goal of education is to develop a child who is capable of being a productive member of ...
Sunday Olufemi Akande
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Pop Culture, Commercialisation of Indigenous Music, and the Urhobo GEN-Z Audience in Nigeria
ABUAD Journal of the Humanities-AGIDIGBOThis study examines the commercialization of indigenous music and the reaction of Urhobo Gen-Z audience in Nigeria. It assesses the role of Gen-Z in the commercialization of indigenous Urhobo music.
Philo Igue OKPEKI
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Gospel Àpàlà music in African Christian worship: Thematic and stylistic analysis
Tydskrif vir Letterkunde, 2023 Music is an indispensable tool of cultural transmission. Considering the vast nature of oral traditions, of which indigenous music is encapsulated, many studies on Nigerian indigenous music have concentrated on Jùjú, Ìjálá, Dadakúàdà, Ẹ̀sa ...
Esther Titilayo Òjó
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Grenek: Jurnal Seni Musik, 2018 Becanang Traditional Music In The Evening Beguru in Gayo Society Bebesen Districts, District Central Aceh (Study of the form of presentation and form of music). Faculty Of Language and Art.
Dara Arigustika
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Music in Christian worship in Nigeria in light of early missionary attitude
Verbum et Ecclesia, 2023 When the protestant Christian missionaries arrived in Nigeria in the 19th century, they disallowed native music as well as the use of musical instruments in the church because of the fear that these would encourage their converts to retain their heathen ...
Solomon O. Ademiluka
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The Insistence of Blackness and the Persistence of Antiblackness in Ireland
Australian Journal of Social Issues, EarlyView.ABSTRACT This paper positions Ireland as a critical site for examining the insistence of blackness and an antiblackness created and sustained through Irish ethnonationalist imaginaries and exclusionary processes. Drawing on connected sociologies and Irish Black Studies, this enquiry argues that antiblackness in Ireland operates as a generational force,
Philomena Mullen
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