Results 61 to 70 of about 1,955 (105)

“A PASSIONATE SYNTAX FOR PASSIONATE SUBJECT MATTER”: W.B. YEATS'S “AN IRISH AIRMAN FORESEES HIS DEATH” AND ITS TURKISH TRANSLATION

open access: yesAnkara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi, 2019
This article presents a stylistic comparison of W.B. Yeats's “An Irish Airman Foresees His Death” and its Turkish translation “İçine Doğmuş İrlandalı Tayyarecinin” by a Turkish poet-translator, Can Yücel, in order to explore the nature and significance ...
Nüket Belgin Elbir
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A DECONSTRUCTIVE COMPARISON OF THE ANACHRONISM IN THE HERMENEUTICS OF GADAMER AND HIRSCH WITH A REFERENCE TO “KING OEDIPUS” AND “HAMLET"

open access: yesAnkara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi, 2020
Literary criticism has undergone a long journey with the discussion of authorial meaning and intention, regarding the historical period in which the literary text has been produced and interpreted. Hans-Georg Gadamer and Eric Donald Hirsch Jr.
Nilüfer Özgür
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“SÜR VE BAĞLA”: İNGİLİZ ROMANINDAKİ ATLARA İNSANSONRASI GÖZLERLE BAKMAK

open access: yesAnkara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi, 2018
“Romanın yükselişi” hakkındaki akademik tartışmalarda çoğunlukla kabul edildiği üzere İngiliz romanının evrimi 1740ların ortasından sonra bir sıçrama yaşamıştır. Bu dönemi takip eden yüz yıllık süre içerisinde, yani 1840ların sonuna kadar, İngiliz romanı
Sinan Akıllı
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A.S. BYATT'IN ÇEŞM-İ BÜLBÜLÜN İÇİNDEKİ CİN HİKÂYESİNDE TÜRK KÜLTÜRÜ VE ORYANTALİST SÖYLEMİN ÇÖKÜŞÜ

open access: yesAnkara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi, 2020
A.S. Byatt'ın olaylarının büyük bir bölümü Türkiye'de geçen “Çeşm-i Bülbülün İçindeki Cin” adlı hikâyesi, Doğu-Batı karşıtlığı üzerine kurgulanmıştır. Avrupalı entelektüel bir kadının İstanbul'da aldığı çeşm-i bülbül bir şişeden çıkan Cin'le ilişkisini ...
Zeynep Yılmaz Kurt
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A SILENT RESISTANCE: OBJECTIFICATION AND A CLASH OF EMPOWERMENT IN DORIS LESSING'S “A WOMAN ON A ROOF”

open access: yesAnkara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi, 2018
Doris Lessing's 1963 short story “A Woman on a Roof” centers on three men from different ages repairing the roof of an apartment on a hot summer day. The only distraction for the men is a lady who is sunbathing on a nearby roof “stark naked”.
Asya Sakine Uçar
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MAPPING LONDON IN PETER ACKROYD'S DAN LENO AND THE LIMEHOUSE GOLEM: PROMENADES INTO A MURDERER'S MIND

open access: yesAnkara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi, 2018
This article explores the concept of violence in Peter Ackroyd's novel titled Dan Leno and the Limehouse Golem. The relationship between the protagonist and the city is considered to be the source of violence in the novel.
Kuğu Tekin
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AN INVESTIGATION OF SOCIO-ECONOMIC INCENTIVES AND IMPLICATIONS OF MATRIMONY ON WOMEN'S LIVES IN JANE AUSTEN'S NOVELS

open access: yesAnkara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi, 2018
This article makes a thorough investigation of the prominent novelist Jane Austen 1775-1817 ’s novels, Pride and Prejudice, Mansfield Park, Sense and Sensibility, Persuasion, and Emma, to shed light onto the socio-economic incentives and implications of
Filiz Barın Akman
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THE AXIS OF EVIL: THE ALLIANCE OF NEO-CONSERVATISM AND NEO-ORIENTALISM IN RUSHDIE’S SHALIMAR THE CLOWN / ŞEYTAN ÜÇGENİ: SALMAN RUSHDİE’NİN SOYTARI ŞALİMAR ROMANINDA AŞIRI SAĞCI NEO-CON’LAR İLE YENİ-ORYANTALİZM’İN İTTİFAKI

open access: yesSelçuk Üniversitesi Edebiyat Fakültesi Dergisi, 2016
In this article, the Orientalist discourse in Salman Rushdie’s Shalimar the Clown (2005), one of the author’s most problematic Works and his first novel after 9/11, is analyzed. It is argued that rather than questioning the assumptions about the “Islamic
Beyazıt AKMAN
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A DELEUZEAN APPROACH TO CONTEMPORARY FICTION: SOME QUESTIONS

open access: yesAnkara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi, 2018
Deleuze approaches literary works, especially novels, conceptually. For him the question of true literature is not linked to the question of its textuality or its historicity, but to its vitality, that is, its tenor of life.
Zekiye Antakyalıoğlu
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