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Proprioceptive sense in an art installation
ACM SIGGRAPH 2007 posters, 2007AmputationBox is an interactive art installation that blurs boundaries between virtual, networked and physical worlds. AmputationBox is also simply a box with a hole on the top. Participants can put their hands into the hole. Every object poked into the hole is visually amputated and redisplayed as virtual organism: creeping or flying flesh.
David Jhave Johnston +2 more
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Internet based art installations [PDF]
Informatica (Slovenia), 2000 Summary: An overview of some internet-related computer applications which were used in several art presentations and art installations on the Internet is given. The technical solutions range from the design of typical hypertext contents combining text and images, creation of virtual environments, sending of life video images over the Internet and ...
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Emotion in Painting and Art Installations
The American Journal of Psychology, 2015Abstract Paintings are static 2- dimensional images with limited narrative means. on the basis of a critical analysis of the relevant laboratory scaling studies, museum studies, and neuroaesthetic work, the article reaches a negative conclusion about most paintings’ ability to engage sufficiently with general viewers’ associative- memory
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Preservation of a Computer-Based Art Installation [PDF]
, 2014 In contemporary digital art computer technology plays an integral part not only in the creation of art pieces but also in their functioning as art works. Such digital art works have usually a performative or interactive character and therefore rely on an underlying working computer system.
Solina, Franc +3 more
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Proceedings of the 8th International Conference on Digital Arts, 2017
Art installations designed for co-located collective interactions rarely call the execution of a task or a preannounced goal as a guideline for the activity. If this new configuration, which differs from those of traditional HCI, is revealed, from the perspective of aesthetic experience, to be one of the richest and most 'engaging' ones, it is by no ...
Mubarak, Oussama +3 more
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Art installations designed for co-located collective interactions rarely call the execution of a task or a preannounced goal as a guideline for the activity. If this new configuration, which differs from those of traditional HCI, is revealed, from the perspective of aesthetic experience, to be one of the richest and most 'engaging' ones, it is by no ...
Mubarak, Oussama +3 more
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HUM, an interactive and collaborative art installation
Proceedings of the 18th ACM international conference on Multimedia, 2010This paper describes HUM, an interactive art installation which interprets the behavior of the visitors on different time scales to render visual and sonic artwork in real-time. HUM was presented at BRASS cultural center (Brussels, Belgium) in May 2009.
Jean-Julien Filatriau, François Zajéga
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Qualitative Inquiry, 2009
This article discusses the use of art mediums as methods to enhance the theoretical and political intentions of an academic work. More specifically, it traces the author’s moving from one artistic method to another, in order to show how the engagement with the theory that is afforded by each is different. Taking performance ethnography as a methodology,
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This article discusses the use of art mediums as methods to enhance the theoretical and political intentions of an academic work. More specifically, it traces the author’s moving from one artistic method to another, in order to show how the engagement with the theory that is afforded by each is different. Taking performance ethnography as a methodology,
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Living Art: An Exploration of Interactive Art Installations
Art Education, 2016Before high school students step outside of the classroom and bring their work into the world, educators can help them understand that art is not solely for self-expression and beauty.
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