Results 61 to 70 of about 1,047 (254)
Designing a distributed musical instrument for collective improvised interaction
In this paper, we present Simone, a distributed musical instrument for collective improvisation created using a research through design approach. The collective interaction with Simone is performed through different interaction scenarios specifying how data is exchanged between users on the local network. First, we present the design and implementation
Golvet, Aliénor +2 more
openaire +2 more sources
Last‐minute coordination: Adapting to demand to support last‐mile operations
Abstract In the highly competitive e‐commerce industry, customer‐facing warehouses are crucial as the “order penetration points” for e‐commerce last‐mile operations. This research examines how warehouses use last‐minute coordination, an unstructured mechanism, to ensure sufficient inventory at the order penetration points. Previous research has focused
Kedong Chen +3 more
wiley +1 more source
Principles of Transmission and Collective Composition in Turkmen Dutar Performance [PDF]
This paper focuses on a repertoire of instrumental pieces performed and orally transmitted among players of a two-stringed lute called dutar in Turkmenistan.
Fossum, David
doaj
Mapping the Influence of Ansoff's Corporate Strategy
ABSTRACT This paper conducts a systematic, data‐driven analysis of H. Igor Ansoff's enduring impact on strategic management scholarship. Despite Ansoff's recognition as the “father of strategic management” and the continued relevance of his frameworks—including the Ansoff matrix, weak signals analysis, and strategic thrust—a comprehensive understanding
Ivan Zupic +3 more
wiley +1 more source
ABSTRACT There is growing evidence that a preponderance of resilience indicators discussed in management scholarship is often developed with limited consideration of the context in which micro‐and‐small‐service enterprises (MSSEs) operate. Given their strategic relevance to developing economies, it thus becomes necessary to understand the meaning of ...
Justin Okoli +2 more
wiley +1 more source
IMPROVISATION AS AN INTERACTION OF PERFORMER AND LISTENER
The creative process of improvisation as a type of communicative situation and the features of improvisator’s personality - musical talent, including the sense of musical rhythm, the possibility to operate at will by musical-acoustic performances, the ...
Yuriy Dmitrievich Sergin
doaj +1 more source
Institutional Fragility and E‐Business Adoption: A Study of SMEs in a Conflict‐Affected Economy
ABSTRACT This study examines e‐business adoption among SMEs in Yemen, a conflict‐affected and institutionally fragile economy. Drawing on a mixed‐methods design, it combines Partial Least Squares Structural Equation Modelling (PLS‐SEM) with qualitative interviews to analyse how war and firm size moderate the effects of key adoption drivers and barriers.
Ahmed Abdullah +5 more
wiley +1 more source
Conceptualizing the Street‐Level Bureaucrat Construct
ABSTRACT Differences among street‐level bureaucrats—across professions, institutional settings, regions, and countries—are largely overlooked in research. We propose conceptualizing the street‐level bureaucrat construct as a general variable that varies across institutional settings, professions, cultures, times, and locations. We analyze variations in
Faisal S. Cheema +3 more
wiley +1 more source
The personality oriented concept of students’ musical thinking development in higher educational institutions of art is analyzed in the article. Planning of educational process with the regularities of development and the individual self-development ...
Olena Pikhtar
doaj +1 more source
Instrumental intentionality: an exploration of mediated intentionality in musical improvisation [PDF]
This paper examines the musician/instrument relationship through exploring notions of mediated intentionality. Ihde’s [1990. Technology and the Lifeworld. Bloomington: Indiana University Press] writings are taken as a starting point for examining these human– technology relationships with a particular focus on the intentionality of the human-instrument
openaire +1 more source

