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Introduction: Animation Between Theory and Practice
Journal of Science and Technology of the Arts, 2022 The materials presented in this dossier aim to open a discussion on the present and future(s) of animation and invite the readers to look critically at the role of the medium in the contemporary world.
Sahra Kunz, Ekaterina Cordas
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The Roses of Jay DeFeo and Bruce Conner: Belated Thoughts on Intermediality and Friendship
Interfaces, 2022 Bruce Conner’s 1967 short film, The White Rose, is an artifact of a particular place and time—Fillmore Street, San Francisco, one day in 1965—and a document of Conner’s friendship with the artist Jay DeFeo, painter of The Rose, the monumental painting at
Susan Felleman
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Una aproximación a la corriente del film sobre arte en la Cuba posrevolucionaria
Ñawi: Arte, Diseño y Comunicación, 2022 Este artículo explora la corriente del film sobre arte en Cuba luego de la Revolución, con el propósito de desentrañar las implicancias estéticas y políticas del vínculo entre el cine y las artes plásticas.
Javier Cossalter
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Cinéma & Cie, 2020 This article reads together the work of Yvonne Rainer and Carolee Schneemann, as situated between film, performance, as well as dance and painting, considering what their work reveals about a specific intermedial feminist aesthetics developing at this ...
Marta
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Don Quixote, intermediality and remix: Translational shifts in the semiotics of culture [PDF]
, 2014 In Yuri Lotman’s terms intertextual relationships as active dialogues among texts and cultures should be the starting point for an analysis of the concepts of intermediality, cross-mediality and transmediality.
DUSI, Nicola Maria
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Text Matters, 2023 The article considers Matthew Barney’s artistic project Redoubt (2016–21) from the point of view of Gilbert Simondon’s transductive philosophy of individuation.
Radek Przedpełski
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After Brecht: the Impact (Effects, Affects) of Intermedial Theatre [PDF]
, 2008 This article addresses claims made about the impact of intermedial theatre with reference to examples of contemporary practice. In particular it makes references to Brecht in this context and differentiates between Brechtian politics and aesthetics.
Nelson, Robin
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Lenny: (Auto-)biography, Black-and-White, and Juxtapositional Montage in Bob Fosse’s Hollywood Renaissance Biopic [PDF]
, 2018 Bob Fosse directed Lenny (1974), about the profane American comedian Lenny Bruce, who died in 1966, at a time when he had won complete artistic control over his films.
Bingham, Dennis
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Rhetorik und Schriftbildlichkeit von literarischen Pantomimen
Orbis Litterarum, Volume 80, Issue 6, Page 619-628, December 2025.Zusammenfassung Da sich die Pantomime als sogenannte „wortlose Kunst“ ihrer Verschriftlichung eigentlich entzieht, sind einige Texte der Pantomime um 1900 bezüglich ihrer Darstellungsverfahren besonders erfinderisch. Sie enthalten Notationen, Bilder, Zeichnungen und generieren rhetorische Figuren, um die Bewegung des Körpers auf der Bühne in den Texten
Nina Tolksdorf
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Moving Across Page, Stage, Canvas
TranscUlturAl, 2022 This thesis examines two works of contemporary dance, Marie Chouinard’s Jérôme Bosch: Le Jardin des Délices (2016) and Mathieu Geffré’s choreography for the ESD company Froth on the Daydream (2018), as examples of intermedial translations into dance. In
Vanessa Montesi
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