Results 71 to 80 of about 7,933 (162)
Fire's habit: Elemental media and the politics of apprehension
The Australian Journal of Anthropology, Volume 35, Issue 1-2, Page 66-70, April–August 2024.Abstract This article weaves together text, photography, and audio recordings drawn from long‐term ethnographic research in northern Australia to ask what fire is becoming as its everyday, urban manifestations are tethered to the diacritics of catastrophic bushfire, on the one hand, and Indigenous expertise and cultural fire, on the other. In exploring
Daniel Fisher
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Alphaville: Journal of Film and Screen MediaThis article provides an intermedial history and analysis of Dieter Schidor’s 1985 film Kalt in Kolumbien to trace a small but fascinating history of interaction between German and Colombian film cultures.
Juan Camilo Velásquez
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Cahiers d’Études Germaniques, 2020 Between 1927 and 1929, communist theatre producer Erwin Piscator staged Piscator-Bühnen, a play at the crossroads of theatre, photography and cinema, and used a “Marxist stage setting” to frame and reframe the written word in favour of a contextual image-
André COMBES
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Filming jilba: Sensing beyond the exclusionary fictions of climate science
The Australian Journal of Anthropology, Volume 35, Issue 1-2, Page 71-77, April–August 2024.Abstract ‘Filming jilba’ makes up part of a larger practice‐based research project focusing on the body as a site of climate sensitivity and perception. Investigated in collaboration with Bama colleague, Jarramali Kulka (a Kuku Yalanji‐Nyungkal man from Australia's tropical Far North Queensland), and his custodial practice jilba (pronounced jil‐ba ...
Citt Williams, Jarramali Kulka
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Disney Screencerts: A Video Essay
Alphaville: Journal of Film and Screen MediaIn this video essay, I establish, discuss, and illustrate different types of Disney screencerts—events where the performance of music on stage is accompanied by the projection of the associated audiovisual on screen.
Sureshkumar Sekar
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Introduction: ‘Crossing into Otherness’
Études Britanniques Contemporaines, 2015 In this opening section of Études britanniques contemporaines 48, we try to explore how the very experience of displacement or crossing entails a process of alteration through which we are both estranged and reinvented.
Catherine Bernard
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Realistic intermediality and the historiography of the present
Alphaville: Journal of Film and Screen Media, 2020 This article tackles intermedial forms in the film O invasor (The Trespasser, Beto Brant, 2001), as it brings in diverse uses of media, predominantly connected to São Paulo’s hip-hop music and culture.
Marcela Amaral
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Comparative Cultural Studies. Multimodality and Intercultural Mediation [PDF]
, 2012 [Abstract] In this paper we present our current research that draws attention to the material vehicles of language, focusing on the multimodal forms that are becoming common place in Computer Mediated Communication.
López-Varela Azcárate, Asunción
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Imagination and Natural Movement:The Bray Studios and the "Invention" of Animated Film [PDF]
, 2015 This article examines how animated film’s identity was formulated and negotiated during a key period in its consolidation, from 1914 to 1920. Focusing on the Bray Studios, it examines how J. R.
Moen, Kristian O
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Narrar Boedo desde el Ocio hiperactivo
Significação: Revista de Cultura Audiovisual, 2015 En el presente artículo construimos un diálogo entre el film Permanent Vacation (1980), ópera prima de Jim Jarmusch y la novela de iniciación Ocio (2000) de Fabián Casas.
Carolina Rolle
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