Results 21 to 30 of about 4,524 (262)
Objective/Context: In the context of the Fourth Centenary of the discovery of America, Colombia participated in the Historical American Exposition in Madrid (1892) as well as the Chicago World’s Columbian Exposition (1893).
Sven Schuster +1 more
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Book Review of Joep Leerssen & Eric Storm (eds.), World Fairs and the Global Moulding of National Identities.
Johannes Koll
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The paper analyzes measures adopted by the Russian Federation on internationalization and globalization of the higher education system, its integration into the international scientific and education area. One of the initiatives of the authorities of the
P. A. Zhdanov +5 more
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Representing Bodies and Identities in Global Exhibitions
The paper focuses on Japanese female photographers in international art exhibitions. Until recently, Japan’s photographic field was predominantly male‑dominated.
Cavazzuti, Federica
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Reassessing International Art Exhibitions in Finland
Cold War politics accelerated artistic exchange and the transnational circulation of art. Within state-run cultural diplomacy, hundreds of art exhibitions traveled to Finland opening a rich and varied perspective on international art. Only a few of them
Maija Koskinen
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'Gesamtkunstwerk' World’s Fair. Revisioning International Exhibitions
This special issue focuses on four thematic areas, 'Gesamtkunstwerk and the Assemblage of Things', 'Technology and Art', 'Gender and Fashion', and 'Colonial Entanglements and Postcoloniality'.
RIHA Journal
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Egypt participates in many international and local exhibitions in various fields in different countries on all over the world. It is worth noting that most of Egypt's partitions in the international exhibitions does not carry any of the Egyptian features
Noha Abdel Salam, Ibrahim Badawy
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ABSTRACT Background Type 1 plasminogen deficiency (PLGD‐1) is an ultra‐rare autosomal recessive disorder caused by variants in the PLG gene and affects approximately 1.6 individuals per million. The condition is characterized by decreased plasminogen levels and impaired function, resulting in fibrin‐rich lesions on mucous membranes throughout the body.
Charles Nakar +7 more
wiley +1 more source
This article is dedicated to the “Baltars” collective porcelain painting workshop (1924–1930), founded in Riga, Latvia by three modernist artists: painters Romans Suta (1896–1944) and Aleksandra Beļcova (1892–1981) and graphic artist Sigismunds Vidbergs (
Ļaviņa Dace
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The long XIX century became «the golden age» in the history of exhibitions. During that period of time, understanding of their meaning, organizational approaches and thematical content changed, thus they received new functions.
Vira Trach
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