Results 21 to 30 of about 4,524 (262)

Imaginando la “tercera civilización de América”: Colombia en las exposiciones internacionales del IV Centenario (1892-1893)

open access: yesHistoria Crítica, 2020
Objective/Context: In the context of the Fourth Centenary of the discovery of America, Colombia participated in the Historical American Exposition in Madrid (1892) as well as the Chicago World’s Columbian Exposition (1893).
Sven Schuster   +1 more
doaj   +1 more source

Book Review: Joep Leerssen & Eric Storm (eds.), World Fairs and the Global Moulding of National Identities. International Exhibitions as Cultural Platforms, 1851–1958

open access: yesStudies on National Movements, 2022
Book Review of Joep Leerssen & Eric Storm (eds.), World Fairs and the Global Moulding of National Identities.
Johannes Koll
doaj   +2 more sources

Network Analysis of the Integration Level of the Universities Participating in Project 5-100 in the International Higher Education Area

open access: yesВысшее образование в России, 2019
The paper analyzes measures adopted by the Russian Federation on internationalization and globalization of the higher education system, its integration into the international scientific and education area. One of the initiatives of the authorities of the
P. A. Zhdanov   +5 more
doaj   +1 more source

Representing Bodies and Identities in Global Exhibitions

open access: yesAnnali di Ca’ Foscari: Serie Orientale, 2023
The paper focuses on Japanese female photographers in international art exhibitions. Until recently, Japan’s photographic field was predominantly male‑dominated.
Cavazzuti, Federica
doaj   +1 more source

Reassessing International Art Exhibitions in Finland

open access: yesTahiti
Cold War politics accelerated artistic exchange and the transnational circulation of art. Within state-run cultural diplomacy, hundreds of art exhibitions traveled to Finland opening a rich and varied perspective on international art. Only a few of them
Maija Koskinen
doaj   +1 more source

'Gesamtkunstwerk' World’s Fair. Revisioning International Exhibitions

open access: yesRIHA Journal
This special issue focuses on four thematic areas, 'Gesamtkunstwerk and the Assemblage of Things', 'Technology and Art', 'Gender and Fashion', and 'Colonial Entanglements and Postcoloniality'.
RIHA Journal
doaj   +1 more source

DESIGN OF EXHIBITION UNITS IN EGYPTIAN FEATURES WITHIN EXHIBITION SUITES AT INTERNATIONAL EXHIBITION FOR DEVELOPING THE ECONOMY IN EGYPT

open access: yesJournal of Architecture, Art & Humanistic Science, 2018
Egypt participates in many international and local exhibitions in various fields in different countries on all over the world. It is worth noting that most of Egypt's partitions in the international exhibitions does not carry any of the Egyptian features
Noha Abdel Salam, Ibrahim Badawy
doaj   +1 more source

Sustained Therapeutic Efficacy of Intravenous Plasminogen Concentrate in Pediatric Patients With Type 1 Plasminogen Deficiency: An Analysis of Dosing Parameters and Clinical Outcomes

open access: yesPediatric Blood &Cancer, EarlyView.
ABSTRACT Background Type 1 plasminogen deficiency (PLGD‐1) is an ultra‐rare autosomal recessive disorder caused by variants in the PLG gene and affects approximately 1.6 individuals per million. The condition is characterized by decreased plasminogen levels and impaired function, resulting in fibrin‐rich lesions on mucous membranes throughout the body.
Charles Nakar   +7 more
wiley   +1 more source

Symbiosis of Modernisation and National Identity in the Legacy of the “Baltars” (Baltic Art) Porcelain Painting Workshop, 1924–1930

open access: yesMeno Istorija ir Kritika, 2019
This article is dedicated to the “Baltars” collective porcelain painting workshop (1924–1930), founded in Riga, Latvia by three modernist artists: painters Romans Suta (1896–1944) and Aleksandra Beļcova (1892–1981) and graphic artist Sigismunds Vidbergs (
Ļaviņa Dace
doaj   +1 more source

“FOR THE CULTURE, TOWARDS THE HYGIENE”: PUBLIC HEALTH AND “THE EXHIBITIONARY COMPLEX” IN LVIV IN THE LATE XIXTH – EARLY XXTH CENTURY

open access: yesМісто: історія, культура, суспільство, 2019
The long XIX century became «the golden age» in the history of exhibitions. During that period of time, understanding of their meaning, organizational approaches and thematical content changed, thus they received new functions.
Vira Trach
doaj   +1 more source

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