Results 221 to 230 of about 883 (263)
Some of the next articles are maybe not open access.
The Pioneers of Iranian New Painting
Middle East Journal of Culture and Communication, 2020Abstract In an interview, the Iranian painter Ahmad Esfandiari (1922–2012) related that he witnessed a particularly difficult time at the beginning of his career, when he did not know what direction his work might take. Slowly he overcame this fear of the unknown and discovered ‘the pleasure of uncharted paths’.
openaire +1 more source
Classification of Iranian paintings using texture analysis
2016 6th International Conference on Computer and Knowledge Engineering (ICCKE), 2016in recent years, digital painting collections are available to the public and this is growing in museums digital galleries. With the availability of large collections of digital, it is essential to develop multimedia systems for archiving and retrieving them.
Sanaz Keshvari, Abdolah Chalechale
openaire +1 more source
Designs of Animals, Birds and Humans in Iranian Painting
Research Journal of Humanities and Social Sciences, 2016The designs of human figures, animals and birds in visual arts of Iran has its particular characteristics in every era which results a certain shared cultural vision of the people of this land. For example in the cultural perspective of Iranian painting, the design of human body is very important.
openaire +1 more source
VIEW FROM THE INSIDE. STRUCTURAL AND CONCEPTUAL DIMENSIONS OF IRANIAN MINIATURE PAINTING
ВОПРОСЫ ВСЕОБЩЕЙ ИСТОРИИ АРХИТЕКТУРЫ, 2020В статье рассказывается о взаимоотношении текста и иллюстрации с новых позиций структурных связей между текстом и метатекстом (в данном случае рукописной миниатюры на территории Большого Ирана). Что же касается диаграмматологии, то она осуществляет переход от структурных сдвигов к концептуальным превращениям, от поверхностных перемещений к ...
openaire +1 more source
Iranian Revolutionary Painting on Canvas: Iconographic Study on the Martyred Body
Iranian Studies, 2013The figure of the martyred soldier is so ingrained in the Iranian public sphere that today, thirty years after the Revolution and twenty years after the cessation of the hostilities against Iraq, Iranian revolutionary painting on canvas keeps drawing most of its inspiration from the Shiite rhetoric of the martyred body and from the war.
openaire +1 more source
Paint Palette Used by Iranian Masters based on Persian Medieval Recipes
Restaurator. International Journal for the Preservation of Library and Archival Material, 2013AbstractClassical Iranian literary sources contain valuable information with respect to materials and techniques related to the art of book-making, including pigments and dyes. Some of these writings have been composed in the form of mystical poetry which needs professional research into the language and classical terms used.
openaire +1 more source
Study and Methodology of Iranian Mural Painting
2012The recent techniques of mural paintings in Iran have changed during several years but as a research projects we try to renew the old method of paintings again. So we try to find and determine one of old methods of mural paintings in Iran, specially from Safavid era so called "Tala Chasban" or Gilded oil painting, The most important thing is that the ...
SASANI, Anahita +2 more
openaire +1 more source
Mediaeval Iranian Lustre-Painted and Associated Wares: Typology in a Multidisciplinary Study
Iran, 1997Le present article est l'une la premiere tentative faite en vue de fournir une chronologie de la poterie mordoree et vernissee de grande qualite de l'Iran medieval, chronologie fondee sur la methodologie de l'etude archeologique des ceramiques. Ce travail fait partie d'une etude multidisciplinaire qui a pour but de comprendre comment a ete produite l ...
openaire +1 more source
SSRN Electronic Journal, 2011
Considering the nature of a man, we can see a type of movement in his body in his excessive happiness. The primitives who used to live in the caves in his excessive happiness and exultance has moved, jumped and turned his body. The primitives, whether the hunters or the farmers, considering their needs, the richness of the land which they were living ...
openaire +1 more source
Considering the nature of a man, we can see a type of movement in his body in his excessive happiness. The primitives who used to live in the caves in his excessive happiness and exultance has moved, jumped and turned his body. The primitives, whether the hunters or the farmers, considering their needs, the richness of the land which they were living ...
openaire +1 more source