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Classification of Iranian paintings using texture analysis
2016 6th International Conference on Computer and Knowledge Engineering (ICCKE), 2016in recent years, digital painting collections are available to the public and this is growing in museums digital galleries. With the availability of large collections of digital, it is essential to develop multimedia systems for archiving and retrieving them.
Abdolah Chalechale
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Designs of Animals, Birds and Humans in Iranian Painting
Research Journal of Humanities and Social Sciences, 2016The designs of human figures, animals and birds in visual arts of Iran has its particular characteristics in every era which results a certain shared cultural vision of the people of this land. For example in the cultural perspective of Iranian painting, the design of human body is very important.
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The Pioneers of Iranian New Painting
Middle East Journal of Culture and Communication, 2020Abstract In an interview, the Iranian painter Ahmad Esfandiari (1922–2012) related that he witnessed a particularly difficult time at the beginning of his career, when he did not know what direction his work might take. Slowly he overcame this fear of the unknown and discovered ‘the pleasure of uncharted paths’.
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Iranian Influences in Śvetāmbara Jaina Painting in the Early Western Indian Style
Journal of the American Oriental Society, 1943exaly +2 more sources
VIEW FROM THE INSIDE. STRUCTURAL AND CONCEPTUAL DIMENSIONS OF IRANIAN MINIATURE PAINTING
ВОПРОСЫ ВСЕОБЩЕЙ ИСТОРИИ АРХИТЕКТУРЫ, 2020В статье рассказывается о взаимоотношении текста и иллюстрации с новых позиций структурных связей между текстом и метатекстом (в данном случае рукописной миниатюры на территории Большого Ирана). Что же касается диаграмматологии, то она осуществляет переход от структурных сдвигов к концептуальным превращениям, от поверхностных перемещений к ...
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Iranian Revolutionary Painting on Canvas: Iconographic Study on the Martyred Body
Iranian Studies, 2013The figure of the martyred soldier is so ingrained in the Iranian public sphere that today, thirty years after the Revolution and twenty years after the cessation of the hostilities against Iraq, Iranian revolutionary painting on canvas keeps drawing most of its inspiration from the Shiite rhetoric of the martyred body and from the war.
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