Results 161 to 170 of about 4,078 (344)

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

open access: yesRenaissance Studies, EarlyView.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source

Shifting Boundaries How to Make Sense of Islamic Art [PDF]

open access: yes, 2014
Bobrowicz, Ania, Choudhrey, Sara
core  

What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆

open access: yesRenaissance Studies, EarlyView.
Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
wiley   +1 more source

More Science Than Art: The First Botanical Garden in Portugal (c. 1650)

open access: yesRenaissance Studies, EarlyView.
ABSTRACT Gabriel Grisley, a German physician, came to Portugal and founded a garden near the Xabregas River in Lisbon, during the 1610s under the Spanish kings' rule. In view of the utility a botanic garden represented for the kingdom, he was able to obtain a royal privilege from King João IV during the Restauration War against the Spanish (1640–1668).
Ana Duarte Rodrigues
wiley   +1 more source

Poste: Assistant Professor, Islamic History ; University of Toronto, Department of Near and Middle Eastern Civilizations (lim. 1/06/2021)

open access: yes, 2020
Institution Type:   College / University Location:   Ontario, Canada Position:   Assistant Professor The Department of Near and Middle Eastern Civilizations in the Faculty of Arts & Science at the University of Toronto invites ...
Enki Baptiste
core  

Noah's Raven, Noah's Son: The Metamorphoses of Blackness in Early Modern Readings of Genesis 8‐9

open access: yesRenaissance Studies, EarlyView.
ABSTRACT Over the past half‐century, scholars have offered various theories to explain when and how an aetiology for black skin became part of the reception history of the so‐called Curse of Ham in Genesis 9—a text that does not include any reference to skin colour.
Ashleigh Elser
wiley   +1 more source

Appel à comm. : 14th Colloquium Association Herfeld "The History of Material Cultures and Visual Arts in Islamic lands ...", Strasbourg, 5-7 juillet 2018

open access: yes, 2018
Appel à communication : 14th Colloquium of the Ernst Herfeld Society for Studies in Islamic Art and Archaeology : The History of Material Cultures and Visual Arts in Islamic Lands : Current State of research and New Perspectives 5-7 juillet 2018 ...
Marianne BRISVILLE
core  

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