Results 11 to 20 of about 1,519 (249)

Muslims in Medieval Hungary [PDF]

open access: yesWadī Al-Nīl Lil Dirāsāt wa Al-Buẖūṯ Al-Insāniyyaẗ wa Al-Iğtimāʿiyyaẗ wa Al-Tarbawiyyaẗ, 2022
     Islam appeared in the territory of Central Europe over a thousand years ago; its historical presence, however, was not continuous. Muslims were present in the territory of Hungarian Kingdom two times: in medieval times, essentially since foundation ...
Jaroslav Drobný
doaj   +1 more source

"The Curriculum in Writig about the Andalusian Civilization Agerman Orientalist Sigrid Hunke. Through a Book ''Shams Arabs shining in the West)."

open access: yesJournal of Architecture, Art & Humanistic Science, 2017
The book is a german Orientalist Sigrid Hunke ( Shams Arabs shines on the West '', few books in the writings of Sigrid Hunke , orientalists Westerners, which gained wide fame, especially in the Arab and Islamic worlds, has formed a new approach in her ...
Rawya Shafaa
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Formal rhythm of Islamic mamluk motifs as a creative motivation for printed hanging textile

open access: yesJournal of Architecture, Art & Humanistic Science, 2020
Islamic arts have its distinguishable characteristics as the Islamic civilization started integrated and progressing inspired by the Islamic faith. It flourished, time after time and illuminated the whole world after eras of darkness.
Asmaa Mohamed Nabwy AbdelMeged
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Evolution of Typographic Posters of the 1380s from the Perspective of Robert Wuthnow's Cultural Changes [PDF]

open access: yesپیکره, 2022
Problem Definition: Since the formation of graphic design in Iran, the central approach to poster design has been mostly focused on the style of illustration. From the 1380s onwards, typographic poster design was presented as the dominant visual approach
Baharam Hamidi, Kamran Afsharmohajer
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form and content in the Islamic civilization and its influence on contemporary art painting

open access: yesJournal of Architecture, Art & Humanistic Science, 2016
By prof. Wadeaa A. Boukar ,  Title : form and content in the Islamic civilization and its influence on contemporary arts. In order to recognize any civilization history, habits and circumstances scientists study the remnant of artifacts and tools of the ...
Wadiah Abdullah
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Phenomenological Reading of the Colors of a Persian Painting from the book of Samak Ayyar of Al-Injou’s Period by Relying on the Theories of Najmuddin Kubra [PDF]

open access: yesمجله مطالعات ایرانی, 2022
Introduction Persian painting is one of the critical contexts for the emergence and design of Persian and Islamic wisdom, which has a long life in the history of illustration of this land.
Fatemeh Mehrabi
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Crossroads of Cloth: Textile Arts and Aesthetics in and beyond the Medieval Islamic World

open access: yesPerspective, 2016
Textile arts were long neglected by art history as “minor” or “applied” arts; however, the recent turns towards transcultural and global art history, material culture, and a new interest in artifacts have brought increasing attention to textile studies ...
Vera-Simone Schulz
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Studying of Parthian Coins Existing in the Malek Museum of Tehran [PDF]

open access: yesJilvah-i hunar, 2019
The coin is a valid and written document and a tiny rich book and the necessity of recognition and its importance in different aspects is important. A coin is a piece of metal of a certain weight on which the official mark of the state or government ...
A. Azizi Yusefkand, M. Azizi Yusefkand
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اسلامی تعلیم اور دعوتِ دین میں فنُونِ لطیفہ کا استعمال (افادیت اور اصول وضوابط)

open access: yesPakistan Journal of Islamic Research, 2021
Fine Arts are a source of aesthetic tastes that create beauty, proportion, relief and happiness in life. It is, in fact, the interpretation of man's tastes of beauty which he has been instructed by nature.
Zobia Kousar, Shah Mohyuddin Hashmi
doaj   +2 more sources

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