Results 171 to 180 of about 1,024,609 (250)
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Politics of sponsorship: Fetishized narratives and authorial detours in Italian cinema
Journal of Italian Cinema & Media StudiesThe production of sponsored films has historically depended on considerable financial and logistical resources, shaping corporate identities both internally and publicly.
Matteo Ciccognani
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Italian Post-Neorealist Cinema
Historical Journal of Film, Radio and Television, 2013Luca Barattoni Edinburgh, Edinburgh University Press, 2012 xii+292 pp., illus., $ 105.00 (cloth) The problem of defining neorealism’s heritage has been haunting Italian cinematic culture since the ...
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Journal of Italian Cinema & Media Studies
Over the last two decades, Italian cinema has turned its gaze towards the Mediterranean Sea to dismantle the narratives constructed by populist political parties and mainstream European media, which have emphasized the rhetoric of border protection ...
Alberto Baracco
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Over the last two decades, Italian cinema has turned its gaze towards the Mediterranean Sea to dismantle the narratives constructed by populist political parties and mainstream European media, which have emphasized the rhetoric of border protection ...
Alberto Baracco
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Women, Feminism and Italian Cinema: Archives from a Film Culture, Dalila Missero (2022)
Journal of Italian Cinema & Media StudiesReview of: Women, Feminism and Italian Cinema: Archives from a Film Culture, Dalila Missero (2022) Edinburgh: Edinburgh University Press, 200 pp., ISBN 978-1-47446-324-9, p/bk, £19 ...
Paola Bonifazio
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The Italianist, 2011
Geoffrey Nowell-Smith is Honorary Professorial Fellow at Queen Mary, University of London. Among other publications he is the author of Making Waves: New Cinemas of the 1960s (Continuum, 2008), Luchino Visconti (British Film Institute, 2003 [orig. 1967]), L’avventura (British Film Institute, 1997), and the editor of The Oxford History of World Cinema ...
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Geoffrey Nowell-Smith is Honorary Professorial Fellow at Queen Mary, University of London. Among other publications he is the author of Making Waves: New Cinemas of the 1960s (Continuum, 2008), Luchino Visconti (British Film Institute, 2003 [orig. 1967]), L’avventura (British Film Institute, 1997), and the editor of The Oxford History of World Cinema ...
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Journal of Italian Cinema & Media Studies
Review of: Experimental and Independent Italian Cinema: Legacies and Transformations into the Twenty-first Century, Anthony Cristiano and Carlo Coen (eds) (2020) Edinburgh: Edinburgh University Press, 332 pp., ISBN 978-1-47447-403-0, p/bk, $19.99/$90 ...
Rossella Catanese
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Review of: Experimental and Independent Italian Cinema: Legacies and Transformations into the Twenty-first Century, Anthony Cristiano and Carlo Coen (eds) (2020) Edinburgh: Edinburgh University Press, 332 pp., ISBN 978-1-47447-403-0, p/bk, $19.99/$90 ...
Rossella Catanese
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Migrant Anxieties: Italian Cinema in a Transnational Frame
Quarterly Review of Film and Video, 2020Aine O’Healy’s monograph, Migrant Anxieties: Italian Cinema in a Transnational Frame, examines thirty Italian fiction films released between 1990 and 2016 that address issues of immigration from ea...
Gloria Monti
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2013
Two things interest me in this chapter: one is the problematic nature of the adjectives ‘popular’ and ‘Italian’ the other is the way in which aspirations to the popular have emerged, as it were, throughout the history of Italian cinema. I want to ask whether there is some restrictive, useful meaning we can give to ‘the people’ who are covered by the ...
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Two things interest me in this chapter: one is the problematic nature of the adjectives ‘popular’ and ‘Italian’ the other is the way in which aspirations to the popular have emerged, as it were, throughout the history of Italian cinema. I want to ask whether there is some restrictive, useful meaning we can give to ‘the people’ who are covered by the ...
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2001
Italian national cinema developed quickly between the last decade of the 19th century and the outbreak of World War I (particularly in Turin and also in Rome), and it won a sizeable share of film audiences around the world for, in particular, its epic films set in classical settings.
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Italian national cinema developed quickly between the last decade of the 19th century and the outbreak of World War I (particularly in Turin and also in Rome), and it won a sizeable share of film audiences around the world for, in particular, its epic films set in classical settings.
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Journal of Italian Cinema & Media Studies
Liliana Cavani accepted the invitation to participate in the fourth edition of the Journal of Italian Cinema & Media (JICMS) studies conference, held at the American University of Rome from 13–15 June 2024.
Glen Bonnici
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Liliana Cavani accepted the invitation to participate in the fourth edition of the Journal of Italian Cinema & Media (JICMS) studies conference, held at the American University of Rome from 13–15 June 2024.
Glen Bonnici
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