Results 201 to 210 of about 1,274 (257)
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2016
The first book-length academic investigation of Italian horror cinema, from the silent era to the present, this collection brings together for the first time a range of contributions aimed at a new understanding of the genre, investigating the different phases in its history, the peculiarities of the production system, the work of its most ...
Baschiera, Stefano, Hunter, Russ
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The first book-length academic investigation of Italian horror cinema, from the silent era to the present, this collection brings together for the first time a range of contributions aimed at a new understanding of the genre, investigating the different phases in its history, the peculiarities of the production system, the work of its most ...
Baschiera, Stefano, Hunter, Russ
exaly +3 more sources
Italian Cinema and the World Cinema Stress Test
Canadian Journal of Film Studies, 2020L’auteur propose quelques réflexions sur l’application d’une méthodologie postcoloniale à l’étude du cinéma mondial en contexte national, en mettant de l’avant une notion élargie du cinéma national italien en ce qui a trait à son corpus (ce en quoi consiste un film italien), à son vocabulaire (accentué, migrant, mondialisé) et à sa méthodologie.
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Journal of Italian Cinema & Media Studies, 2014
Abstract
Costanzo Antermite, Gemma Lanzo
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Abstract
Costanzo Antermite, Gemma Lanzo
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Radioscreens. Radio and cinema in Italy, radio on Italian cinema
Radio Journal:International Studies in Broadcast & Audio Media, 2008This article examines the relationship between radio and cinema, both from historic and aesthetic points of view. The aim of its first section is to consider the mutual impact of the two media and of their output on the specific terrain of Italian popular culture and media history.
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2014
THE ITALIAN CINEMA BOOK is an essential guide to the most important historical, aesthetic and cultural aspects of Italian cinema, from 1895 to the present day. With contributions from 39 leading international scholars, the book is structured around six chronologically organised sections: THE SILENT ERA (1895–22) THE BIRTH OF THE TALKIES AND ...
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THE ITALIAN CINEMA BOOK is an essential guide to the most important historical, aesthetic and cultural aspects of Italian cinema, from 1895 to the present day. With contributions from 39 leading international scholars, the book is structured around six chronologically organised sections: THE SILENT ERA (1895–22) THE BIRTH OF THE TALKIES AND ...
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2001
Italian national cinema developed quickly between the last decade of the 19th century and the outbreak of World War I (particularly in Turin and also in Rome), and it won a sizeable share of film audiences around the world for, in particular, its epic films set in classical settings.
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Italian national cinema developed quickly between the last decade of the 19th century and the outbreak of World War I (particularly in Turin and also in Rome), and it won a sizeable share of film audiences around the world for, in particular, its epic films set in classical settings.
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Il volume prende in esame le diverse forme di collaborazione che si creano durante le fasi di allestimento della colonna sonora di un film. Fa riferimento a quelle che si sono instaurate fra alcuni dei protagonisti del cinema italiano del secondo dopoguerra e i loro compositori.
Giorgio Biancorosso, Roberto Calabretto
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Giorgio Biancorosso, Roberto Calabretto
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Choice Reviews Online, 2013
, Torunn Haaland, Edinburgh, Edinburgh University Press, 2012, xii+235 pp., illus., bibliography, filmography, £65.00 (cloth), £19.99 (paper) In Italian Neorealist Cinema, Dr Torunn Haaland, assist...
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, Torunn Haaland, Edinburgh, Edinburgh University Press, 2012, xii+235 pp., illus., bibliography, filmography, £65.00 (cloth), £19.99 (paper) In Italian Neorealist Cinema, Dr Torunn Haaland, assist...
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2013
Two things interest me in this chapter: one is the problematic nature of the adjectives ‘popular’ and ‘Italian’ the other is the way in which aspirations to the popular have emerged, as it were, throughout the history of Italian cinema. I want to ask whether there is some restrictive, useful meaning we can give to ‘the people’ who are covered by the ...
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Two things interest me in this chapter: one is the problematic nature of the adjectives ‘popular’ and ‘Italian’ the other is the way in which aspirations to the popular have emerged, as it were, throughout the history of Italian cinema. I want to ask whether there is some restrictive, useful meaning we can give to ‘the people’ who are covered by the ...
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Journal of Italian Cinema & Media Studies, 2013
Abstract Moviement Comunicazionepuntodoc: Communication between research and ...
Gemma Lanzo, Christian Ruggiero
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Abstract Moviement Comunicazionepuntodoc: Communication between research and ...
Gemma Lanzo, Christian Ruggiero
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