Results 241 to 250 of about 88,615 (282)
Lights, Camera, Emotion: REELMO's 1060 Hours of Affective Reports to Explore Emotions in Naturalistic Contexts. [PDF]
Sampaolo E +3 more
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Lead isotopes of prehistoric copper tools define metallurgical phases in Late Neolithic and Eneolithic Italy. [PDF]
Artioli G +4 more
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Longitudinal assessment of pragmatic and cognitive decay in healthy aging, and interplay with subjective cognitive decline and cognitive reserve. [PDF]
Gabbatore I +3 more
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Allies not enemies-creating a more empathetic and uplifting patient experience through technology and art. [PDF]
Tagliaferri L +15 more
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2016
The first book-length academic investigation of Italian horror cinema, from the silent era to the present, this collection brings together for the first time a range of contributions aimed at a new understanding of the genre, investigating the different phases in its history, the peculiarities of the production system, the work of its most ...
Baschiera, Stefano, Hunter, Russ
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The first book-length academic investigation of Italian horror cinema, from the silent era to the present, this collection brings together for the first time a range of contributions aimed at a new understanding of the genre, investigating the different phases in its history, the peculiarities of the production system, the work of its most ...
Baschiera, Stefano, Hunter, Russ
openaire +2 more sources
Historical Journal of Film, Radio and Television, 2013
, Torunn Haaland, Edinburgh, Edinburgh University Press, 2012, xii+235 pp., illus., bibliography, filmography, £65.00 (cloth), £19.99 (paper) In Italian Neorealist Cinema, Dr Torunn Haaland, assist...
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, Torunn Haaland, Edinburgh, Edinburgh University Press, 2012, xii+235 pp., illus., bibliography, filmography, £65.00 (cloth), £19.99 (paper) In Italian Neorealist Cinema, Dr Torunn Haaland, assist...
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Italian Post-Neorealist Cinema
Historical Journal of Film, Radio and Television, 2013Luca Barattoni Edinburgh, Edinburgh University Press, 2012 xii+292 pp., illus., $ 105.00 (cloth) The problem of defining neorealism’s heritage has been haunting Italian cinematic culture since the ...
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The Italianist, 2011
Geoffrey Nowell-Smith is Honorary Professorial Fellow at Queen Mary, University of London. Among other publications he is the author of Making Waves: New Cinemas of the 1960s (Continuum, 2008), Luchino Visconti (British Film Institute, 2003 [orig. 1967]), L’avventura (British Film Institute, 1997), and the editor of The Oxford History of World Cinema ...
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Geoffrey Nowell-Smith is Honorary Professorial Fellow at Queen Mary, University of London. Among other publications he is the author of Making Waves: New Cinemas of the 1960s (Continuum, 2008), Luchino Visconti (British Film Institute, 2003 [orig. 1967]), L’avventura (British Film Institute, 1997), and the editor of The Oxford History of World Cinema ...
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2013
Two things interest me in this chapter: one is the problematic nature of the adjectives ‘popular’ and ‘Italian’ the other is the way in which aspirations to the popular have emerged, as it were, throughout the history of Italian cinema. I want to ask whether there is some restrictive, useful meaning we can give to ‘the people’ who are covered by the ...
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Two things interest me in this chapter: one is the problematic nature of the adjectives ‘popular’ and ‘Italian’ the other is the way in which aspirations to the popular have emerged, as it were, throughout the history of Italian cinema. I want to ask whether there is some restrictive, useful meaning we can give to ‘the people’ who are covered by the ...
openaire +2 more sources

