Results 41 to 50 of about 1,024,609 (250)

Multiple audiences: revisiting historical film reception [PDF]

, 2013
Keynote for the 2013 ECREA Film Studies Conference, Lund, Sweden, 8-9 November ...
Biltereyst, Daniël
core   +1 more source

The representation of conflict in the discourse of Italian melodrama [PDF]

, 2006
This paper is part of an extensive study of cinematic dialogue in a variety of film genres in Italian, which aims to address the disregard for the verbal plane that characterises film theory and, particularly, genre theory.
Amelio, Blum-Kulka, Blum-Kulka, Brenneis, Camras, Clayman, Eggins, Fele, Giordana, Goffman, Goodwin, Goodwin, Greatbatch, Grice, Halliday, Halliday, Halliday, Herman, Hutchby, Jackson, Jacobs, Kakava, Kakava, Katriel, Kochman, Kotthoff, Kozloff, Krainer, Labov, Lein, Marcondes de Souza Filho, Maynard, McConnell, McLaughlin, Neale, Noguchi, Pomerantz, Pratt, Reinhart, Roberta Piazza, Roffman, Rossi, Sacks, Schegloff, Schiffrin, Small, Sperber, Stein, Tannen, Van Eemeren, Vuchinich, Walton, Walton, Wees   +53 more
core   +1 more source

Garibaldi e l’epopea garibaldina nel cinema muto italiano. Dalle origini alla I guerra mondiale / Garibaldi and the Representation of Garibaldi in italian silent Cinema: from its Beginning to the World War One [PDF]

Storicamente, 2011
The first film producted by an italian studio was "La presa di Roma - 20 settembre 1870" (Albertini & Santoni, 1905) and the Italian Risorgimento will continue to be one of the most favoured subjects of italian cinematography.
Lasi, Giovanni
doaj  

Paesaggi con figure

CoSMO, 2020
The article focuses on the performativity of urban spaces and the figures of their representation in the so problematically called “Italian Migrant Cinema.”
Farah Polato
doaj   +1 more source

Unusually Gothic : Robert Sigl's Laurin (1987) [PDF]

, 2003
Marcus Stiglegger revives a lost Gothic treasure in this brief discussion of Robert Sigl's Laurin—a rare case of German genre film-making and the heir to FW Murnau's legacy.
Stiglegger, Marcus
core  

Double time : Facing the future in migration’s past [PDF]

, 2013
Interpretations of Italian films about migration tend to refer to the historical experience of emigration or of colonialism as the historical coordinates through which these films are best understood.
Duncan, Derek Egerton
core  

The Non-Professional Actor in the Reception of Italian Cinema Abroad

, 2020
This article will examine the overlooked centrality of the non-professional actor in the circulation of Italian films outside the country. It analyses the importance of the legitimating label of neorealism in critical and festival discourse, and its ...
Catherine O’Rawe
semanticscholar   +1 more source

Nostalgics, Thugs and Psycho-killers: Neo-fascists in Contemporary Italian Cinema

, 2020
Neo-fascism played a crucial role in the Italian political panorama of the second half of the twentieth century. However, despite its importance, this political movement has been significantly underrepresented in contemporary Italian cinema.
Alfio Leotta
semanticscholar   +1 more source

Introduzione. Alla ricerca dei pubblici della diaspora italiana

Schermi, 2022
-
Morena La Barba, Mattia Lento
doaj  

Itinerant Ecocriticism, Southern Thought, and Italian Cinema on Foot

, 2020
      This short essay explores an impulse guiding Italian ecocriticism, and also a recurrent trend in Italian cinema: that of thinking on foot. Drawing on the work of sociologist and philosopher Franco Cassano, I consider why contemporary philosophers ...
Elena Past
semanticscholar   +1 more source