Results 81 to 90 of about 1,024,609 (250)

Lucio Fulci's Poetics of Attractions: The Cinema of Poetry and the “Southern Question” in Don’t Torture a Duckling [PDF]

open access: yesMonstrum, 2018
Discusses how the "southern question" in Italy generated a shared attractions sensibility between two Italian masters of cinema, Pier Paolo Pasolini and Lucio Fulci.
Mario DeGiglio-Bellemare
doaj  

East Coast/West Coast: The Long Tradition of Italian Immigrant Performers [PDF]

open access: yes, 2019
This article discusses the role of the immigrant stage in representing, imagining, exporting and importing, the Italian identity. In particular the essay examines the differences between the Italian Diasporic communities on the  east Coast and in ...
Muscio, Giuliana
core  

Plein soleil and The Talented Mr Ripley: sun, stars and Highsmith's queer periphery

open access: yes, 2004
This article explores two cinematic adaptations of Patricia Highsmith's 1955 novel, The Talented Mr Ripley, about a young anti-hero who murders, and then steals the identity of, another American living in Italy: Ren?
Williams, M.T.
core   +1 more source

Audiovisual policies and international trade: The case of Italy [PDF]

open access: yes, 2003
This paper reviews Italian audiovisual policies, in order to assess their impact on the international position of domestic cinema and television producers.
Andreano, Simona, Iapadre, Lelio
core  

O cinema mudo em São Paulo: experiências de italianos e italianas, práticas urbanas e códigos sexuados

open access: yesArtCultura, 2008
O artigo trata do cinema mudo produzido em São Paulo no início do século XX, como uma forma de apropriação simbólica do espaço urbano pelos ítalo-paulistanos.
Mônica Raisa Schpun
doaj  

Multilingual dictionaries of film vocabulary : a bibliography [PDF]

open access: yes, 2010
Die folgende Bibliographie erschien zunächst in der Film Theory: Bibliographic Information and Newsletter, nos. 10-11, 1986, pp. 63-80 (= G177-G194).
Heß, Klaus-Peter, Wulff, Hans Jürgen
core  

Yi, Observational Documentary Aesthetics, and the Identity Politics of Transcultural Migrancy [PDF]

open access: yes, 2017
There is a moment in Edward Yang’s acclaimed film Yi Yi (2000) in which a young boy in a conversation with his father observes that he cannot see what his father sees and that his father cannot see what he sees, prompting two questions: “How can I know ...
Xu, Jiacheng, 4159187
core   +1 more source

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