Results 41 to 50 of about 201 (120)

«“I Had a Long Corres­pondence with Litnasledstvo”: On the Story of Adamovich’s Failed Participation in the Preparation of the Bunin Litna­sledstvo Volume

open access: yesИзвестия Уральского федерального университета. Серия 2: Гуманитарные науки, 2017
This article considers one of the earliest attempts of Soviet editors to resume the relationship with emigrants during the thaw period. Letter interchange as well as any kind of interaction between Soviet editors and emigrant authors was extremely rare ...
Oleg Anatolyevich Korostelev
doaj   +1 more source

Один герой трех рассказов И.А. Бунина

open access: yesStudia Rossica Posnaniensia, 2018
The paper of Yelena Kapinos One Protagonist of Three Short Stories by Ivan Bunin analyzes three short stories by Ivan Bunin (Grammar of Love, A Winter Dream and In a Never- Never Land).
Elena Kapinos
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Paschal motifs in Ivan Bunin's "Light Breathing" [PDF]

open access: yesVestnik Tomskogo gosudarstvennogo universiteta. Filologiya, 2016
В статье анализируются пасхальные мотивы в рассказе И.А. Бунина «Легкое дыхание», определяется их влияние на персонажную систему (Субботина, классная дама), детализируется взаимодействие онтологического и метатекстуального аспектов поэтики произведения. Специальное внимание уделено эстетике дневника, особенно продвигавшейся писателем в 1916 г. С опорой
openaire   +4 more sources

Иван Бунин в воспоминаниях Н. Берберовой, И. Одоевцевой и З. Шаховской

open access: yesPolilog: Studia Neofilologiczne, 2013
Ivan Bunin in the memories of Nina Berberova, Irina Odoevtseva and Zinayda Shahovskaya This paper presents I. Bunin’s portrait in the memories of the women writers: N. Ber- berova, I. Odoevtseva and Z.
Patryk Witczak
doaj  

Ivan Bunin’s Attraction: The Formation of a Creative Personality

open access: yesIzvestia of the Ural federal university. Series 2. Humanities and Arts, 2020
This article examines Ivan Bunin’s early work Attraction (1897), whose complete version was first published in 2019. The author demonstrates that the story features a number of attributes related to the portrayal of characters, plot organisation, chronotope, narration, and intertextuality, all of which help compare the young writer’s style with his ...
openaire   +4 more sources

The “Tatar” Trade Route (“Via Tatarica”) in the International Trade System of the 13th–15th centuries

open access: yesЗолотоордынское обозрение, 2019
Research objectives: A study of questions about the time of the emergence of the “Tatar” trade route (“Via Tatarica”), the influence of external factors and internal political processes in the ulus of Jochi on the formation and development of this trade ...
Vorotyntsev L.V.
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Pelo prisma de violência

open access: yesRUS (São Paulo), 2020
Objetiva-se identificar e analisar a imagem artística da violência criada pelo escritor russo Ivan Búnin, prêmio Nobel de literatura, em três contos. Apoiados nas perspectivas de G. Bataille, H. Arendt, J. Derrida, I. Tiniánov e I.
Márcia Vinha, Elena Vassina
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Nostalgie for the Non-Existing „Land of Chilclhood" in an Impressionst Short Story by Ivan Bunin (on the Genre in DarkAvenues). [PDF]

open access: yesSlovenska Literatura, 2014
The article was written as an outcome of the international scientific colloquium The Forms of Melancholy in the Arts organized by the Institute of Slovak Literature, Slovak Academy of Sciences, in Bratislava (15th May 2014) and, at the same time, is a ...
Soňa Pašteková
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Artistic Space in the Prose of Ivan Bunin [PDF]

open access: yesRecherches sémiotiques, 2018
Ivan Bunin occupies a unique place in the context of Russian literature. The following article demonstrates the relevance of Juri Lotman’s work on defining semiotic artistic space by examining Bunin’s modeling of the world and his construction of artistic space in his prose works.
openaire   +1 more source

Ivan Bunin and the Artistic World of the 1890s–1910s [PDF]

open access: yesЛитературный факт
This article is the first in a series about “Ivan Bunin and the artistic world of his time” and examines his meetings (and noteworthy non-meetings) with artists in pre-revolutionary Russia, as well as how critics drew parallels between Bunin and his ...
Tatiana M. Dvinyatina
doaj   +1 more source

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