Results 61 to 70 of about 5,960 (228)

THE CASE OF THE “VACILLATING JURIST”: PITTSBURGH’S GEORGE SHIRAS, JR. AND THE INCOME TAX CASE OF 1895

open access: yesEssays in Economic and Business History, 2003
This paper examines the mystery behind the case of Pollock v. Farmers’ Loan and Trust. Better known as the “Income Tax Case,” the question of the legality of the nation’s first peacetime income tax came before the Supreme Court in March 1895.
Harvey Hudspeth
doaj  

Ecological Characteristics of Stream Reaches With and Without Low‐Tech Process‐Based Restoration in a Wildfire‐Affected Catchment

open access: yesRiver Research and Applications, Volume 42, Issue 5, Page 1022-1037, June 2026.
ABSTRACT Low‐tech process‐based stream restoration (LTPBR) is increasingly implemented following wildfire, underscoring the need to evaluate restoration outcomes in burned catchments. To help address this need, we measured abiotic and biotic characteristics of a reach that received LTPBR, an untreated reach, and a reach with relict beaver activity that
Kimberly A. Nichter   +5 more
wiley   +1 more source

Jackson Pollock painting in his East Hampton studio

open access: yes, 1950
full ...
Pollock, Jackson, Namuth, Hans
core  

Lo slittamento dell’aura nell’arte contemporanea

open access: yesRivista di Estetica, 2013
Walter Benjamin fully captures the radical transformation of the aesthetic experience of some of the avant-garde artists from the beginning of the 1900s – the cornerstones of the aura disappear with the Dadaists.
Elisabetta Cristallini
doaj   +1 more source

UNWARRANTED CONFIDENCE: A CRITICAL REVIEW OF THE POVERTY OF ANTI‐REALISM

open access: yesHistory and Theory, Volume 65, Issue 2, Page 271-297, June 2026.
ABSTRACT The Poverty of Anti‐Realism: Critical Perspectives on Postmodernist Philosophy of History, edited by Tor Egil Førland and Branko Mitrović, celebrates the new dawn of historical realism, which it claims supersedes the erroneous and harmful anti‐realism.
Jouni‐Matti Kuukkanen
wiley   +1 more source

Moby Dick

open access: yes, 2008
In terms of passion, inventiveness and emotional, violent energy, Pollock painted the strongest atavistic images of the '40s. His painting Pasiphae (1943) is an example of what was to come later––Pasiphae being, in Greek mythology, the wife of Minos and ...
Pollock, Jackson
core  

A question of Jackson Pollock’s balance: using lacunarity and fractal analysis to distinguish poured paintings by adults and children

open access: yesFrontiers in Physics
We investigate the artistic patterns generated by the pouring technique made famous by Jackson Pollock. To determine if poured patterns can be distinguished based on the artist age, we apply computer analysis techniques to paintings created under ...
M. S. Fairbanks   +9 more
doaj   +1 more source

Physics, Perception, and Physiological of Jackson Pollock's Fractals

open access: yesi-Perception, 2011
Fractals have experienced considerable success in quantifying the visual complexity exhibited by many natural patterns and have captured the imagination of scientists and artists alike.
Richard P. Taylor
doaj   +1 more source

La peinture en 1945 : un cri face à l’histoire

open access: yesMosaïque, 2011
Au lendemain de la Seconde Guerre mondiale, l’art est traversé de doutes, à l’image de l’ensemble de la société. La question du « massacre de la peinture » se confond ainsi avec celle des massacres liés à la guerre, et de ce que l’on peut encore
Aliénor Debrocq
doaj   +1 more source

Optimizing Human Resource Conditions for 20‐Year Initial Public Offering (IPO) Survival

open access: yesPersonnel Psychology, Volume 79, Issue 2, Page 107-134, Summer 2026.
ABSTRACT The entrepreneurship literature emphasizes the importance of imprints founders leave on companies; those imprints can change at transformational events such as the initial public offering (IPO). Prior research has found that objective measures (such as structure or compensation systems) can imprint and predict survival post IPO.
Theresa M. Welbourne   +2 more
wiley   +1 more source

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